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The Moscow-Yan’an-Beijing Mode of Chinese Literary Theory

Datos Bibliográficos

ID21728958
AutoresSong Li (0000-0002-6976-4696, Wuhan University), Li Song (0000-0002-3973-4787, Wuhan University), Ping Liu (0000-0002-8713-1999, South Central Minzu University)
Año2020
Volumen22
Número5
Fecha de publicación2020-12-13
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaCLCWeb Comparative Literature and Culture (JOURNAL)
Identificadores de la revistaISSN: 1481-4374 • E-ISSN: 1481-4374
EditorialPurdue University (bepress) (PUBLISHER)
DOI10.7771/1481-4374.3832
OpenAlexW3113077575
IdiomaEN
Referencias citadas6

This paper examines the genealogy of Chinese literary theory under the Chinese Communist Party (CCP), in terms of Moscow-Yan’an-Beijing Modes from the inception of the CCP to the present. The focus of this paper is the state-sanctioned textbooks of literary theory and criticism from the beginning of the PRC to the present. The story of these textbooks tells us as much about the complex entanglement of Chinese Marxism or Maoism with Soviet Marxism, i.e. Leninism and Stalinism in the Mao era as about the powerful, on-going impact of that ideological lineage today

Art · Beijing · China · Chinese literature · Communism · Ideology · Literary criticism · Literary theory · Literature · Physics · Political science · Politics · Chinese history and philosophy · History · Law · Mathematics · Philosophy

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  • Social Sciences, Humanities and Liberal Arts

    Open Access•Kang Liu, Liu Kang•European Review•2018

  • Hegemony and Cultural Revolution

    Kang Liu•New Literary History•1997

Velocidad de citaciónhistorical
Altamente citadoNo
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