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A Case of Pandemic Narrative and the End of Post-Cold War

Bibliographic Data

ID21728979
AuthorsYongbing Jin (Tibet University), Penghan Zhang (0000-0001-8445-9107, Tibet University)
Year2022
Volume24
Issue1
Publication date2022-08-15
Open AccessYes
TypeARTICLE
VenueCLCWeb Comparative Literature and Culture (JOURNAL)
Journal identifiersISSN: 1481-4374 • E-ISSN: 1481-4374
PublisherPurdue University (bepress) (PUBLISHER)
DOI10.7771/1481-4374.4288
OpenAlexW4292319859
LanguageEN
Citations received1
References cited4

The topical book Wuhan Diary, authored by the Chinese writer Fang Fang during the COVID-19 lockdown of Wuhan, is not so much a diary as a “becoming-diary,” given its performative practices. Wuhan Diary’s emphasis on the individual or private nature of its writing activity is attributable to its characteristic realistic conception of authenticity, which resulted historically from the humanist trend within Chinese literature in the 1980s as a significant element of post-socialist realism. Insofar as Wuhan Diary claims an overarching authorship that does not cohere with—or is, indeed, utterly subverted by—its textual complexities, it can be interpreted as a dual allegory of neoliberalism. In 2020, when the established pattern of globalization was in crisis and the post-Cold War state of affairs seemed unprecedentedly unstable, the post-socialist realism implicit in Wuhan Diary proved ineffective in representing the epidemic, as well as in justifying, by its (mis)representation, the conditions that have contributed to the general crisis

Aesthetics · Allegory · Art · China · Chinese literature · Cold war · Globalization · Humanism · Literature · Media studies · Narrative · Performative utterance · Political economy · Political science · Politics · Realism · Sociology · History · Law · Translation Studies and Practices

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  • Who has the final say? English translation of online lockdown writing Wuhan Diary

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Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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