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Song, identity and the state

Julius Malema'sDubul' ibhunusong as catalyst

Bibliographic Data

ID2173069
AuthorsLiz Gunner
Year2015
Volume27
Issue3
Pages326-341
Publication date2015-09-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2015.1035701
OpenAlexW1647831328
LanguageEN
Citations received5
References cited19

This article tracks the entry of Julius Malema and his package of skills as a political persona into the South African public domain. It focuses on his use of song, particularly the Dubul' ibhunu song/chant within the public space and links it to a long tradition of political song. It sets this within a wider context of the aesthetics of power in the postcolony and within older epistemes of performance, language and power. It also discusses the media as both actor and acted upon in relation to Malema. It links the topic of power, rhetoric and its use to inter-generational politics, and to the struggle of youth and the marginalized poor against an entrenched gerontocratic elite

Aesthetics · Art · Context (archaeology · Elite · Humanities · Identity (music · Linguistics · Literature · Media studies · Persona · Political science · Politics · Power (physics · Relation (database · Rhetoric · Sociology · State (computer science · Multilingual Education and Policy · Music History and Culture · South African History and Culture · Gender Studies · History · Law · Philosophy

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    Open Access•Mabunda M Thompson•Scrutiny2•2026

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  • Power and the Praise Poem

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    Thomas Turino•Nationalists, Cosmopolitans, and…•2000

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Unique citing works5
Citations per year1,67
Citation span2023 - 2026 (4)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 5

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