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Making Manding in the concert hall - Jali Pop in Paris

Ka Manding ke sumung-bungo kono - Bii jaliyaa Pari saatewo kono

Bibliographic Data

ID2173142
AuthorsHauke Dorsch (AMA African Music Archives /Archiv für die Musik Afrikas Institut für Ethnologie und Afrikastudien Forum Universitatis, Mainz, Germany)
Year2017
Volume29
Issue2
Pages177-193
Publication date2017-05-04
Open AccessNo
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2017.1296351
OpenAlexW2598750337
LanguageEN
Citations received1
References cited12

This contribution looks at performances of West African musicians in the diaspora in order to find out in which way artists consciously evoke feelings of home and address issues of identity and belonging. Taking as its starting point concerts by Senegambian griots both in the 1990s and in 2015, the article shows the striking continuity of the performance of a Mande and more precisely Mandinka identity. As a contrasting example the article describes how the Senegalese pop star Baaba Maal, not a griot and not a Mandinka, performed to very different audiences in the USA, the Gambia and Germany. The paper compares how he addressed audiences at these concerts and how he addressed continental, regional, national, ethnic, local and other levels of identities. In rereading these and other concerts observed by the author in the late 1990s early 2000s and again recently, the contribution will also argue that in migrants' liminal life phase of staying abroad, concerts serve as rituals of belonging to a more or less mythical home

Aesthetics · Art · Diaspora · Ethnic group · Feeling · Identity (music · Liminality · Media studies · National identity · Political science · Politics · Sociology · Anthropology · Caribbean and African Literature and Culture · Cultural Identity and Heritage · Diaspora, migration, transnational identity · Psychology · Gender Studies · History · Law

  • Animating Performances

    Abimbola Adelakun, Abimbola A Adelakun•Journal of African Cultural Studies•2024

  • Ethnic groups and boundaries

    Fredrik Barth•Ethnic groups and boundaries•1969

  • Verbal art as performance

    Richard Bauman•Verbal art as performance•1977

  • A History of African Popular Culture

    K Barber•History of African Popular Culture•2018

  • Histoire des Mandingues de l’Ouest

    Olivier Vallee, Djibril Tamsir Niane•Le prix de l'argent CFA•1989

  • Un/doing Differences. Die Kontingenz sozialer Zugehörigkeiten / Un/doing Differences. The Contingency of Social Belonging

    Stefan Hirschauer•Zeitschrift für Soziologie•2014

  • Le griot mande à l'heure de la globalisation

    Open Access•Mamadou Diawara•Cahiers d études africaines•1996

  • O Kaabu e os seus vizinhos

    Open Access•Carlos Lopes•Afro-Ásia•2005

  • Verbal Art as Performance1

    Open Access•Richard Bauman•American Anthropologist•1975

  • The Making and Unmaking of Ethnic Boundaries

    Andreas Wimmer•American Journal of Sociology•2008

  • The 'diaspora' diaspora

    Rogers Brubaker•Ethnic and Racial Studies•2005

Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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