As imagens não mentem. Utopias, distopias e incertezas “est-éticas”
Bibliographic Data
| ID | 21734685 |
|---|---|
| Authors | Biagio D''Angelo (0000-0001-9333-4461, Universidade de Brasília, corresponding author), Biagio D'Angelo |
| Year | 2020 |
| Volume | 18 |
| Issue | 2 |
| Pages | 63-75 |
| Publication date | 2020-01-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista VIS Revista do Programa de Pós-Graduação em Arte (JOURNAL) |
| Journal identifiers | ISSN: 1518-5494 • E-ISSN: 2447-2484 |
| Publisher | Biblioteca Central da UNB (PUBLISHER) |
| DOI | 10.26512/vis.v18i2.29231 |
| OpenAlex | W3010678678 |
| Language | PT |
In 1920, Russian writer Evgueni Zamyatin publishes one of the most important novels of the utopian genre, We, a dystopian futuristic satire in which Zamyatin brings the totalitarian aspects of Sovietism to the extreme consequences. Two decades later, Swedish writer Karin Boye publishes Kallocain, a dystopia in which, as in We, the dystopian future is presented as a universe in which citizens' lives are violently controlled. In this article we will observe how the reflection on dystopia proposed in Zamyatin and Boye's novels is still current in relation to Power, the State, violence and female presence
Art · Art history · Dystopia · Literature · Physics · Utopia · Computer Science · History · Psychology and Mental Health · Social and Economic Solidarity
| Highly cited | No |
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