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Orienting toward the otherwise in the Twitterverse

Activating pedagogical commitments with pedagogists and Twitter

Bibliographic Data

ID21747248
AuthorsNicole Land (0000-0001-9645-9550, Toronto Metropolitan University, corresponding author), Cristina Delgado Vintimilla (0000-0002-6000-9037, York University), Narda Nelson (Western University)
Year2025
Volume22
Issue1
Pages75-97
Publication date2025-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Curriculum and Pedagogy (JOURNAL)
Journal identifiersISSN: 1550-5170 • E-ISSN: 2156-8154
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/15505170.2023.2185324
OpenAlexW4327742222
LanguageEN
References cited36

This article asks how social media platform engagement, on Twitter in particular, collides with thinking and experimenting with the educational practice of a pedagogist. Beginning with tracing the role of the pedagogist as an emerging figure in early childhood education within the Canadian context, we turn to thinking #BecomingPedagogist, the hashtag used on Twitter by those undertaking work toward responding to and inventing the digital practices of a pedagogist. We situate the labor of a pedagogist on Twitter amid public pedagogies and then follow some contemporary threads of Twitter activism. Then, we offer two “problems” for pedagogists on Twitter: (1) settler moves to innocence through utilizing “beauty” as a primary frame for engaging with tweets from Indigenous people; (2) resisting the pull of individualizing, productivity-oriented neoliberal logics on Twitter. We conclude by offering questions we hope pedagogists will consider and continue to grapple with throughout the collective project of thinking pedagogists’ online practices

Indigenous · Innocence · Media studies · Political science · Politics · Public relations · Social media · Social science · Sociology · Child Development and Digital Technology · History · Impact of Technology on Adolescents · Law · Literacy, Media, and Education

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Citation velocityhistorical
Highly citedNo

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