Brett Bailey
Ritualizing creative energy
Bibliographic Data
| ID | 21763017 |
|---|---|
| Authors | Fanny Robles (0000-0001-8372-3818, corresponding author) |
| Year | 2021 |
| Volume | 19.1 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | E-rea (JOURNAL) |
| Journal identifiers | ISSN: 1638-1718 • E-ISSN: 1638-1718 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/erea.13030 |
| OpenAlex | W4200325457 |
| Language | EN |
Brett Bailey is probably one of the most celebrated contemporary South African theatre artists, as well as one of the most controversial, as the heated European reception of EXHIBIT B in 2012-14 strikingly showed. The visual artist and director is an habitué of the Festival de Marseille, where he came in 2014 to present MACBETH; Jan Goossens’s arrival in 2016 led to close and regular collaboration. For the Festival’s 2017 edition, Bailey’s tableau vivant SANCTUARY was staged on the lowest flo
| Citation velocity | historical |
|---|---|
| Highly cited | No |