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Mediating the elemental

An immaterialist ethics for ecomaterialist media theory

Bibliographic Data

ID21783274
AuthorsLudo De Roo (0000-0002-3439-949X, Macquarie University, corresponding author)
Year2024
Volume22
Issue2
Pages602-628
Publication date2024-04-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Review of Film and Television Studies (JOURNAL)
Journal identifiersISSN: 1740-0309 • E-ISSN: 1740-7923
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17400309.2024.2342212
OpenAlexW4396557015
LanguageEN
References cited44

Up until the 19th century, the notion ‘medium’ described the natural elements – e.g. earth, water, fire, and air. John Durham Peters’ media philosophy (2015) demonstrates how contemporary technical media rely on this forgotten elemental dimension; as cultural techniques, media can reveal the elemental’s environmental sense. Against its broader philosophical background, I extend Peters’ account into a ‘trans-materialist’ film-philosophy: I claim that the notion of the elemental stands, and mediates, ‘between’ the materialist tradition – currently operative in ecomaterial media theory (e.g. Cubitt; Ivakhiv; Parikka; Parks; Starosielski; Vaughan) – as well as the ethico-existential, immaterial dimension that belongs to the elemental. Two philosophical readings support this mediating aspect of the trans-material philosophy: Levinas’ immaterialist ethics ([1961] 1969) and Bachelard’s ‘material imagination’. Levinas’ ethics underscore that existence is defined in relation to alterity; the enveloping elemental environment enables developing a relational sense of self. Additionally, Bachelard’s materialism invites us to reimagine our cosmic connection to the material world – and I argue it is the medium of film that expresses this potential most dynamically. As moving audiovisual image, cinema’s technical form fosters, for the immersed spectator, a renewed sense for our elemental environment

Aesthetics · Art · Epistemology · Existentialism · Literature · Materialism · Movie theater · Sense of place · Social science · Sociology · Computer Science · Cybernetics and Technology in Society · Digital Media and Philosophy · Philosophy · Visual Culture and Art Theory

  • A Geology of Media

    Jussi Parikka•A Geology of Media (Electronic…•2015

  • Existence and Existents

    Open Access•Emmanuel Levinas•Existence and Existents•1978

  • "Stuff You Can Kick"

    Lisa Parks•Between Humanities and the Digital•2015

  • An Ambiguous World of Film

    Open Access•Ludo De Roo•Film-Philosophy•2024

  • How green is your smartphone

    Open Access•Javier González, Javier López González•Comunicación y Medios•2020

  • Inhospitable World

    Jennifer Fay•Inhospitable World•2018

  • Fiery Cinema

    Wei Bao, Weihong Bao•Fiery Cinema•2015

  • Moving Environments

    Alexa Weik Von Mossner•Moving Environments•2014

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    Paula Willoquet-Maricondi•Framing the world•2010

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  • Field Mapping

    Open Access•Lisa Parks•Television & New Media•2020

  • Bulls In The (Indo) China Shop

    Gerald Sussman•Journal of Popular Film and…•1992

  • Elemental Imagination and Film Experience

    Ludo De Roo•Projections•2019

  • Film and the Natural Environment

    Áine O’brien, Adam O'Brien et al.•Film and the Natural Environment•2018

  • The Marvelous Clouds

    John Durham Peters•Marvelous Clouds•2015

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    Open Access•Alexandra Schneider, Wanda Strauven et al.•NECSUS•2013

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    Marshall Mcluhan, Marshal McLuhan•Understanding media•1994

  • Poetry, language, thought

    Martin Heidegger•Being and time•2001

  • Decolonizing Ecomedia

    Cubitt•Cultural Politics an International…•2014

  • Practicing, materialising and contesting environmental data

    Open Access•Jennifer Gabrys•Big Data & Society•2016

  • Genesis of the Media Concept

    John Guillory•Critical Inquiry•2010

  • The Oriental Obscene

    Stella Coram•Ethnic and Racial Studies•2013

Citation velocityhistorical
Highly citedNo

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