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Elemental Imagination and Film Experience

Bibliographic Data

ID8114404
AuthorsLudo De Roo (0000-0002-3439-949X, Macquarie University, Sydney [email protected], corresponding author)
Year2019
Volume13
Issue2
Pages58-79
Publication date2019-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueProjections (JOURNAL)
Journal identifiersISSN: 1934-9688 • E-ISSN: 1934-9696
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/proj.2019.130204
OpenAlexW2969228917
LanguageEN
Citations received5
References cited26

In an age of ecological disasters and increasing environmental crisis, the experience of any cinematic fiction has an intrinsic ethical potential to reorient the spectator’s awareness of the ecological environment. The main argument is that the spectator’s sensory-affective and emphatically involving experience of cinema is essentially rooted in what I call “elemental imagination.” This is to say, first, that the spectator becomes phenomenologically immersed with the projected filmworld by a cinematic expression of the elemental world, and second, much like there is no filmworld without landscapes, the foundational aspect of elements are revealed as preceding and sustaining the narrative and symbolic layers of film experience. While suggesting the existential-ethical potential of this fundamental process of film experience, the second aim of this article is to show that this form of elemental imagination complements more mainstream “environmentalist” films, such as climate change documentaries and blockbuster apocalyptic genre films

Aesthetics · Argument (complex analysis · Art · Epistemology · Existentialism · Expression (computer science · Literature · Mainstream · Movie theater · Narrative · Sociology · Chemistry · Cinema and Media Studies · Computer Science · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Philosophy

  • Mediating the elemental

    Ludo De Roo•New Review of Film and Television…•2024

  • A Mud Doctor Checking Out the Earth Underneath

    Open Access•Jason M Wirth•Film-Philosophy•2024

  • An Ambiguous World of Film

    Open Access•Ludo De Roo•Film-Philosophy•2024

  • Phenomenology as Experiential Translation

    Open Access•Jakob Boer•Critical Arts•2025

  • Slow Cinematic Atmosphere

    Open Access•Jakob Boer, Ludo De Roo•Quarterly Review of Film Studies•2025

  • Nature

    N Castree•Nature•2005

  • A Geology of Media

    Jussi Parikka•A Geology of Media (Electronic…•2015

  • Moving Environments

    Alexa Weik Von Mossner•Moving Environments•2014

  • Framing the World

    Paula Willoquet-Maricondi•Framing the world•2010

  • The Geography of cinema - a cinematic world

    Open Access•Anton Escher•Erdkunde•2006

  • Film geography

    Open Access•Chris Lukinbeal, Stefan Zimmermann•Erdkunde•2006

  • Film and the Natural Environment

    Áine O’brien, Adam O'Brien et al.•Film and the Natural Environment•2018

  • The Marvelous Clouds

    John Durham Peters•Marvelous Clouds•2015

  • Mediated Geographies and Geographies of Media

    Open Access•Susan P Main, Susan P Mains et al.•Mediated Geographies and…•2015

  • We Have Never Been Modern

    T Hugh Crawford, Tony Crawford•Configurations•1994

  • Transactions with the World

    Open Access•Áine O’brien, Adam O'Brien•Transactions with the world•2016

Unique citing works5
Citations per year2,5
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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