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Hiding in Plain Sight? Understanding War Through Ephemera

Bibliographic Data

ID21789175
AuthorsAnn-Marie Foster (0000-0003-3451-8601, Robert Gordon University, corresponding author), Michael Reeve (Robert Gordon University), Rowan Thompson (0000-0002-9789-9782, Robert Gordon University), Rowan G E Thompson (0000-0001-7138-3043, Robert Gordon University)
Year2026
Volume19
Issue3
Pages1-19
Publication date2026-07-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of War and Culture Studies (JOURNAL)
Journal identifiersISSN: 1752-6272 • E-ISSN: 1752-6280
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17526272.2026.2697616
OpenAlexW7167348966
LanguageEN
References cited39

When the First World War broke out in 1914, ephemera quickly became a key way of understanding and recording the conflict. From collection drives through to postcards home, people at all levels embraced the communicative nature of ephemera, using it to document, remember, and share understandings of the war. However, this wide-ranging appreciation of ephemeral material has not always been fully appreciated by historians, who are often reticent to work with the full breadth of wartime ephemera. Taking the multitude of ephemera produced in wartime conditions as our central theme, three case studies linked to the First World War provide an idea of how reading war and its aftermath through ephemera can offer new intellectual avenues to explore social and cultural history. When ephemera is the focus, rather than a byproduct, of our historical investigations, what fresh insights can we glean from people’s interaction with this material

Ephemera · Ephemeral key · Key (lock) · Multitude · Photography · Reading (process) · Spanish Civil War · World War II · American History and Culture · History of Emotions Research · World Wars: History, Literature, and Impact

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Citation velocityhistorical
Highly citedNo

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