No more parades? Navy Weeks, naval theatre and navalism, 1927-38

Bibliographic Data

ID4816612
AuthorsRowan Thompson (0000-0002-9789-9782), Rowan G E Thompson (0000-0001-7138-3043, University of London, corresponding author)
Year2023
Volume96
Issue272
Pages222-242
Publication date2023-05-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHistorical Research (JOURNAL)
Journal identifiersISSN: 0950-3471 • E-ISSN: 1468-2281
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/hisres/htac028
OpenAlexW4317787938
LanguageEN
Citations received1
References cited5

Despite calls for 'no more parades' following the First World War, and while the period was supposedly inhospitable to militaristic and martial ceremony, 'naval theatre', navalism and cultural displays of militarism all enjoyed significant resonance in the popular civic ritual of interwar Britain. One of the most prominent forms of naval theatre in this period was the annual celebration of Navy Weeks. First staged at Portsmouth, then extended to Plymouth and Chatham the following year, Navy Weeks were held between 1927 and 1938 and allowed members of the public to be brought into direct touch with the work, life and routine of the Royal Navy. Instituted to aid naval charities, the event also provided a public platform for the admiralty to promote the navy for the preservation of nation and empire, as well as encouraging naval education among the British public. Navy Weeks represented a site of modernity, technological innovation and military prestige. However, the event equally promoted naval heritage, tradition and the long-standing significance of the Royal Navy to Britain's status as a maritime nation

Ancient history · Archaeology · Art · Empire · Militarism · Navy · Period (music) · Political science · Politics · Prestige · World War II · Historical Art and Culture Studies · History · Law · Military History and Strategy · World Wars: History, Literature, and Impact

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