Twenty years after
ReadingThe Moor's Last Sighin 2015
Bibliographic Data
| ID | 2179039 |
|---|---|
| Authors | Shobhana Bhattacharji |
| Year | 2016 |
| Volume | 52 |
| Issue | 2 |
| Pages | 165-177 |
| Publication date | 2016-03-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2016.1166721 |
| OpenAlex | W2466530306 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
This article is a reading of Salman Rushdie’s novel The Moor’s Last Sigh (1995) via Joseph Anton (2012), his memoir of his post-fatwa years when he was in hiding (1989–2002). The last of four books he published between 1990 and 1995, all of them about political and religious extremism and the censoring of free speech, The Moor’s Last Sigh looks at fundamentalism-driven violence from the Christian Reconquista of Spain in 1492 to communal riots in India in the late 1990s. Its narrative vehicle is the fortunes of descendants of Jewish, Moorish and Catholic spice trader-settlers of Malabar, representative of India’s multiculturalism. Weaving together art, literature, politics and more, Rushdie charts changes in modern India, especially the eclipse of its hybridity by religious extremists. The article considers The Moor’s Last Sigh in relation to the memoir, and in relation to Andalusia
Art · Art history · Hybridity · Literature · Memoir · Narrative · Political science · Politics · Reading (process · Relation (database · Indian History and Philosophy · South Asian Cinema and Culture · History · Law · Philosophy · Religious Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2024 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |