The rise (in the fall) of Cochin

Provincializing metropolitan spatiality in Salman Rushdie's The Moor's Last Sigh

Bibliographic Data

ID2179747
AuthorsJintu Alias (0000-0002-8748-8103), Wadhwa (0000-0001-6707-7094)
Year2024
Volume60
Issue3
Pages345-357
Publication date2024-05-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2024.2307408
OpenAlexW4392198215
LanguageEN
References cited23

Indian fiction and critical engagements with it have a metropolitan bias. The preference for representations of big cities such as Mumbai in fiction means that non-metropolitan ("provincial") spaces in India face neglect, literary and otherwise. This article argues for provincializing Indian fiction by exploring non-metropolitan locations as imagined in works of fiction to unpack alternative spatialities. The example offered is Salman Rushdie's The Moor's Last Sigh. In most readings of the novel, Bombay (along with Moorish Spain) is highlighted as a metropolitan model for India. Cochin does not figure in these readings, passed over as if just a random background or setting for the characters to be launched into Mumbai. This article addresses Cochin's marginalization through investigating the way the island city offers a provincial, alternative, non-metropolitan theorization of spatialities in Indian fiction. The larger objective is to make space for similarly marginalized non-European locales in the discourse of cosmopolitanism

Archaeology · Cosmopolitanism · Face (sociological concept · Geography · Media studies · Metropolitan area · Political science · Politics · Social science · Sociology · Diaspora, migration, transnational identity · Socioeconomic Development in Asia · South Asian Cinema and Culture · History · Law · Philosophy

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