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Can Brexit be photographed? Six photographic projects raising critical questions about Britain’s exit from the European Union (2016-2020)

Bibliographic Data

ID21797297
AuthorsMathilde Bertrand (Université Bordeaux Montaigne, corresponding author)
Year2021
Volume19-n°51
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueRevue LISA / LISA e-journal (JOURNAL)
Journal identifiersISSN: 1762-6153 • E-ISSN: 1762-6153
PublisherOpenEdition (PUBLISHER)
DOI10.4000/lisa.13184
OpenAlexW3184716333
LanguageEN
References cited1

Based on a selection of photographic projects produced between 2016 and 2020, this article examines the way British and non-British professional photographers have responded to the question of Britain’s exit from the European Union. Each of the six projects sheds light on and problematises different social, economic and ideological stakes raised by Brexit, at different moments of a political process started in 2016. Questions that concern artists’ political commitment, the role of the media and the uses of political communication during this troubled period, the fate of European residents, or the invisibilisation of regions most affected by poverty and austerity policies are some of the issues explored in the photographic projects that compose the corpus of this article. Echoes and correspondences between them help paint the portrait of a divided United Kingdom while reasserting strongly the values of inclusion, tolerance and diversity that have been damaged in this difficult period

Art · Austerity · Brexit · Economic history · Economics · European union · Humanities · Ideology · Kingdom · Political science · Politics · Cultural Industries and Urban Development · History · Law · Photography and Visual Culture · Political and Economic history of UK and US

Highly citedNo

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