The Art of Composition and Play
An Interview with Richard Powers
Bibliographic Data
| ID | 21798142 |
|---|---|
| Authors | Jean-Yves Pellegrin (Sorbonne Université, corresponding author), Richard Powers |
| Year | 2023 |
| Volume | 2 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transatlantica (JOURNAL) |
| Journal identifiers | ISSN: 1765-2766 • E-ISSN: 1765-2766 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/transatlantica.21299 |
| OpenAlex | W4389249891 |
| Language | EN |
| References cited | 1 |
Since Three Farmers on Their Way to a Dance (1985), his first novel, Richard Powers has published thirteen books. In a career spanning nearly forty years, he has explored a wide range of subjects, and a variety of writing styles and compositional methods. His work includes texts with complex narrative structures and a sophisticated style, such as The Gold Bug Variations (1991) and Operation Wandering Soul (1993), as well as more conventional novels, like The Time of Our Singing (2003) and The Overstory (2018), which have won him widespread acclaim in the United States and abroad. Regardless of the type of novel or subject matter, Powers's work is dedicated to mapping the complex interactions that underpin a living reality in constant evolution, and to question the place of humans within it; his entire body of work is a manifesto for the power of fiction to enlighten readers and illuminate the world. The following interview was conducted online on July 4, 2023
Art · Literature · Art Education and Development · Creativity in Education and Neuroscience
| Highly cited | No |
|---|