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Experience, Authority, and the Alchemy of Language

Margaret Cavendish and Marie Meurdrac Respond to the Art

Bibliographic Data

ID21833196
AuthorsSandy Feinstein (corresponding author)
Year2021
Volume15
Issue2
Pages133-142
Publication date2021-03-01
Open AccessNo
TypeARTICLE
VenueEarly Modern Women An Interdisciplinary Journal (JOURNAL)
Journal identifiersISSN: 1933-0065 • E-ISSN: 2378-4776
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1353/emw.2021.0028
OpenAlexW3156597122
LanguageEN
References cited4

By the time Marie Meurdrac published _La Chymie Charitable & Facile, en Faveur des Dames_ (1666) and Margaret Cavendish published the _Philosophical Letters: Or, Modest Reflections Upon some Opinions in Natural Philosophy_ (1664), the controversy surrounding the field of applied chemistry in France — where both lived mid-century — had become primarily an academic one. It was not, however, “academic” to Margaret Cavendish and Marie Meurdrac, who would have been excluded from the knowledge communities of universities and natural philosophers who took sides in this debate. They, nevertheless, contributed to arguments on the subject, despite assuming that their contributions would be negatively received. Each begins with a prefatory defense against anticipated male criticism, though the reader to whom they direct their words is explicitly identified as female. Their conscious use of a double audience — of women exchanging ideas and men condemning their efforts — previews the rhetorical skills they exhibit in later chapters arguing for and against specific practices, practitioners, and theorists of applied chemistry, an area encompassing alchemy and medicine

Alchemy · Art · Art history · Media studies · Sociology · Historical Philosophy and Science · History and Developments in Astronomy

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Highly citedNo

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