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Sandy Feinstein

Biographic Data

ID6381129
NAMESandy Feinstein
GIVEN NAMESSandy
FAMILY NAMEFeinstein
SIGNATUREFEINSTEIN S
AFFILIATIONSSouthwestern College - Kansas
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2023
H-INDEX0
  • From Old Books to New Science

    Sandy Feinstein, Bryan Wang et al.•ARTICLE•Pedagogy Critical Approaches to…•2023

    Co-teaching an interdomain literature and biology course, before, during, and after the COVID-19 protocols led the authors to consider how interdisciplinarity might serve as a means to “de-extinction” for English. The authors, an English professor and a biologist, provide contrasting models representing their distinct perspectives on how English may be revivified through disciplinary integration

  • She Says, He Says

    Open Access•Sandy Feinstein, Bryan Wang•ARTICLE•Angles•2021

    “She Says, He Says” is a rumination on some of the words that have dominated the conversation on the Coronavirus Disease 2019 (COVID-19) pandemic. It begins with a personal essay that interrogates different ways of reading, starting with biological “success” and ranging to the language of DNA. This first point of view, from a humanist, focuses on how scientists and social scientists appropriate and redeploy words. A second perspective, from a sci…

  • Experience, Authority, and the Alchemy of Language

    Sandy Feinstein•ARTICLE•Early Modern Women An Interdiscipli…•2021

    By the time Marie Meurdrac published _La Chymie Charitable & Facile, en Faveur des Dames_ (1666) and Margaret Cavendish published the _Philosophical Letters: Or, Modest Reflections Upon some Opinions in Natural Philosophy_ (1664), the controversy surrounding the field of applied chemistry in France — where both lived mid-century — had become primarily an academic one. It was not, however, “academic” to Margaret Cavendish and Marie Meurdrac, who w…

  • Shrews, Rats, and a Polecat in â The Pardonerâ s Taleâ

    Sandy Feinstein, Neal Woodman•CHAPTER•Rethinking Chaucerian Beasts•2013

  • Horsing around

    Sandy Feinstein•ARTICLE•Sixteenth Century Journal•2006

    Through illustrations notoriously difficult to interpret, even when considered in conjunction with the chapters they presumably depict, the sixteenth-century manuscript Splendor Solis exemplifies the highly symbolical approach to representing alchemical processes. The central images of the pictures are typically characterized by the fantastic: mythic animals, beheading, and allusions to the classical gods. Yet, among all the wondrous creatures an…

  • Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean

    Sandy Feinstein•ARTICLE•Exemplaria•1997

    (1997). Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean? Exemplaria: Vol. 9, No. 1, pp. 165-187

  • Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean

    Sandy Feinstein•ARTICLE•Exemplaria•1997

  • Whatever happened to the women in folktale

    Open Access•Sandy Feinstein•ARTICLE•Women s Studies International Forum•1986•References: 1

No prominent works on this page.

  • Whatever happened to the women in folktale

    Open Access•Sandy Feinstein•ARTICLE•Women s Studies International Forum•1986•References: 1

  • Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean

    Sandy Feinstein•ARTICLE•Exemplaria•1997

    (1997). Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean? Exemplaria: Vol. 9, No. 1, pp. 165-187

  • Crossbows, Lutes, and Coitus, or, What Does Editing Lady Macbeth Mean

    Sandy Feinstein•ARTICLE•Exemplaria•1997

  • Horsing around

    Sandy Feinstein•ARTICLE•Sixteenth Century Journal•2006

    Through illustrations notoriously difficult to interpret, even when considered in conjunction with the chapters they presumably depict, the sixteenth-century manuscript Splendor Solis exemplifies the highly symbolical approach to representing alchemical processes. The central images of the pictures are typically characterized by the fantastic: mythic animals, beheading, and allusions to the classical gods. Yet, among all the wondrous creatures an…

  • Shrews, Rats, and a Polecat in â The Pardonerâ s Taleâ

    Sandy Feinstein, Neal Woodman•CHAPTER•Rethinking Chaucerian Beasts•2013

  • She Says, He Says

    Open Access•Sandy Feinstein, Bryan Wang•ARTICLE•Angles•2021

    “She Says, He Says” is a rumination on some of the words that have dominated the conversation on the Coronavirus Disease 2019 (COVID-19) pandemic. It begins with a personal essay that interrogates different ways of reading, starting with biological “success” and ranging to the language of DNA. This first point of view, from a humanist, focuses on how scientists and social scientists appropriate and redeploy words. A second perspective, from a sci…

  • Experience, Authority, and the Alchemy of Language

    Sandy Feinstein•ARTICLE•Early Modern Women An Interdiscipli…•2021

    By the time Marie Meurdrac published _La Chymie Charitable & Facile, en Faveur des Dames_ (1666) and Margaret Cavendish published the _Philosophical Letters: Or, Modest Reflections Upon some Opinions in Natural Philosophy_ (1664), the controversy surrounding the field of applied chemistry in France — where both lived mid-century — had become primarily an academic one. It was not, however, “academic” to Margaret Cavendish and Marie Meurdrac, who w…

  • From Old Books to New Science

    Sandy Feinstein, Bryan Wang et al.•ARTICLE•Pedagogy Critical Approaches to…•2023

    Co-teaching an interdomain literature and biology course, before, during, and after the COVID-19 protocols led the authors to consider how interdisciplinarity might serve as a means to “de-extinction” for English. The authors, an English professor and a biologist, provide contrasting models representing their distinct perspectives on how English may be revivified through disciplinary integration

Art (5 works) · Sociology (4 works) · History (3 works) · Alchemy (2 works) · Art history (2 works) · Biology (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works) · Media studies (2 works)

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