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La Movida Madrileña and ‘Paris Maquis’

A comparative history of Madrilenian and Parisian punk

Bibliographic Data

ID21873122
AuthorsJames Kearney (0000-0003-3472-6363, Film Independent, corresponding author)
Year2021
Volume10
Issue2
Pages245-263
Publication date2021-06-01
Open AccessYes
TypeARTICLE
VenuePunk & Post Punk (JOURNAL)
Journal identifiersISSN: 2044-1983 • E-ISSN: 2044-3706
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/punk_00069_1
OpenAlexW3168821522
LanguageES
Citations received1
References cited7

As a cultural phenomenon, punk has had a global impact. Recent scholarship has expanded upon this by exploring examples of punk within different countries around the world. However, not enough attention has been given to these instances in a comparative context, especially with regards to European punk. This article will attempt to ameliorate this by comparing the first waves of both Madrilenian (Spanish) and Parisian (French) punk in terms of origins, ideologies and elements of representation in their contemporary contexts. Punk arrived in these countries at transformative periods in their nations’ histories. Spanish punk, as la Movida Madrileña , began almost immediately after the death of Francisco Franco in 1975, whereas French punk came after the fallout of the May 1968 student protests. However, despite these politically volatile backgrounds, punk in these countries greatly varied in terms of cultural impact. Using these comparative contexts, this piece will illustrate how social, political and cultural differences vastly influence the success and development of punk movements and youth cultures in general. In doing so, this article aims to inspire other researchers to consider the comparative method when looking at punk movements, thereby interrogating how punk develops and how historical backgrounds can influence its development

Aesthetics · Archaeology · Art · Art history · Political science · Politics · Punk · Scholarship · Sociology · Gender Studies · History · Law · Music History and Culture · Spanish Culture and Identity · Spanish History and Politics

  • La Movida Madrileña and ‘Paris Maquis’

    Open Access•James Kearney•Punk & Post Punk•2021

  • La Movida Madrileña and ‘Paris Maquis’

    Open Access•James Kearney•Punk & Post Punk•2021

  • All her friends call her Alaska

    Duncan Wheeler•Journal of Spanish Cultural Studies•2016

  • Nazi Rock

    Jonathyne Briggs•Modern & Contemporary France•2011

  • You’ve Got to Fight for Your Right to Party? Spanish Punk Rockers and Democratic Values

    Duncan Wheeler•Popular Music & Society•2016

  • Une chic aventure électrique

    Sylvain David•Études françaises•2011

  • Graphical Terrorism? Bazooka, Punk and Leftist Politics at Liberation Newspaper in 1970s France

    Christopher Warne•History Workshop Journal•2013

  • The scent of Catalan rock

    Open Access•Maria Van Liew•Popular Music•1993

Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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