Masculinity and underground music scene participation across time

A case study from Indonesia

Bibliographic Data

ID21876122
AuthorsK E James (0000-0002-6953-484X, University of Fiji), Rex Walsh (0000-0003-0887-256X, University of Notre Dame)
Year2022
Volume8
Issue1
Pages29-46
Publication date2022-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMetal Music Studies (JOURNAL)
Journal identifiersISSN: 2052-3998 • E-ISSN: 2052-4005
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/mms_00065_1
OpenAlexW3204969743
LanguageEN
Citations received2
References cited15

The Ujung Berung (Bandung, Indonesia) death metal scene arguably peaked in the years 2009–13. Based on personal interviews and conversations with musicians, we identify four factors adversely affecting the scene at present: (1) decline in community nongkrong /relocation of Serak store at Jalan Cihampelas; (2) those left behind – the disillusionment of the older second-division bands; (3) the new generation’s attitude and perspective and (4) the turn towards religion. We also explore whether Indonesian masculinity is in crisis, because of young Indonesian men’s subordinated place within global capitalism and the threat that capitalism poses to traditional hierarchies. Hypermasculine death metal culture inspires because it is western in origin but not bourgeois – it is a mysterious mix of signs, symbols, sounds and mythologies, which attracts by its very obscurity; it quietly challenges, in its indirect way, the power of Indonesian hegemonic identities such as ‘pious Islamic family-man’ and ‘businessman’

Aesthetics · Archaeology · Art · Bourgeoisie · Capitalism · Indonesian · Islam · Masculinity · Media studies · Political science · Politics · Relocation · Sociology · Asian Culture and Media Studies · Asian Studies and History · Gender Studies · History · Law · Music History and Culture

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Open DOIOpen Access