Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Curating and Creating Collective Artistic Experiences

The Role of the Choral Conductor

Bibliographic Data

ID21974373
AuthorsRóisín Blunnie (Dublin City University), Orla Flanagan (Trinity College)
Year2026
Volume15
Issue3
Pages43
Publication date2026-02-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts15030043
OpenAlexW7131649589
LanguageEN
References cited25

The commonly recognised image of a choral conductor is of a person who stands in front of a group of singers and uses a set of gestures to direct them in performance. In order to arrive at this moment of shared musical experience, however, there is a long journey of preparation that must take place, from devising an artistic concept, to formulating a coherent and stimulating programme of repertoire, to realising such a programme by engaging in an extended period of rehearsal that encompasses vocal, musical, expressive, linguistic, and emotional facets and gathers diverse individual singers into a unified choral instrument with a common expressive purpose. In this article, two experienced choral conductors present structured reflective exegeses on artistic projects undertaken with their respective chamber choirs. Drawing on reflective approaches aligned with practice-based/artistic research, and on leading voices in repertoire programming and choral studies more broadly, the authors articulate and analyse their creative processes, highlighting considerations and goals for choral conductors both in designing programmes as a basis for impactful collective musical experiences and in enacting these experiences in a spirit of co-creation with choir members and other artistic contributors

Choir · Gesture · Musical · Repertoire · Artistic and Creative Research · Diverse Music Education Insights · Music Technology and Sound Studies

  • Practice as Research in the Arts

    Open Access•Robin Nelson•Practice As Research in the Arts•2013

  • Prescriptions for Choral Excellence

    Shirlee Emmon, Shirlee Emmons et al.•Prescriptions for choral excellence•2006

  • The Oxford Handbook of Choral Pedagogy

    Paul Head, Frank Abrahams et al.•The Oxford Handbook of Choral…•2017

  • Practice-as-research and the Problem of Knowledge

    Robin G Nelson, Robin Nelson•Performance Research•2006

  • A Choral Meditation

    Open Access•Laura Sheils•Religions•2024

  • Practice-Based Research in the Creative Arts

    Linda Candy, Ernest Edmonds•Leonardo•2018

  • TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music

    Open Access•Greville Corbett, George Corbett•Religions•2017

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae