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The Oxford Handbook of Choral Pedagogy

Bibliographic Data

ID8117183
AuthorsPaul Head
EditorsFrank Abrahams (corresponding author), Paul D Head
Year2017
Pages568
Publication date2017-03-06
Open AccessNo
TypeBOOK
VenueThe Oxford Handbook of Choral Pedagogy (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780199373369.001.0001
OpenAlexW2610938557
Open LibraryOL27416206M
ISBN9780199373369
LanguageEN
Citations received14

This text explores varied perspectives on teaching, learning, and performing choral music. Authors are academic scholars and researchers as well as active choral conductors. Topics include music programming and the selection of repertoire; the exploration of singer and conductor identity; choral traditions in North America, Western Europe, South America, and Africa; and the challenges conductors meet as they work with varied populations of singers. Chapters consider children’s choirs, world music choirs, adult community choirs, gospel choirs, jazz choirs, professional choruses, collegiate glee clubs, and choirs that meet the needs of marginalized singers. Those who contributed chapters discuss a variety of theoretical frameworks including critical pedagogy, constructivism, singer and conductor agency and identity, and the influences of popular media on the choral art. The text is not a “how to” book. While it may be appropriate in various academic courses, the intention is not to explain how to conduct or to organize a choral program. While there is specific information about vocal development and vocal health, it is not a text on voice science. Instead, the editors and contributing authors intend that the collection serve as a resource to inform, provoke, and evoke discourse and dialogue concerning the complexity of pedagogy in the domain of the choral art

Aesthetics · Art · Choir · Identity (music · Literature · Music education · Musicology · Pedagogy · Repertoire · Singing · Sociology · Visual arts · Diverse Musicological Studies · Choral singing · Singing, instruction and study

  • Big boys don’t cry (or sing) … still

    Nicholas R McBride, Joshua Palkki•Music Education Research•2020

  • Using a shared research practices paradigm with adult choral singers for the teaching and learning of musical literacy skills

    Open Access•Aoife Hiney•International Journal of Music…•2023

  • La excelencia musical en un coro de secundaria danés

    Open Access•Roberto Bautista Rangel, María-Cecilia Jorquera-Jaramillo•REVISTA INTERNACIONAL DE…•2025

  • Curating and Creating Collective Artistic Experiences

    Open Access•Róisín Blunnie, Orla Flanagan•Arts•2026

  • ‘I can follow’

    Annie O Mok•Music Education Research•2020

  • Serious musicking

    Dag Jansson, Erik Døving et al.•Music Education Research•2024

  • Voicing voicing

    Open Access•Samantha Sebastian Dieckmann•Music Education Research•2024

  • Reading the Romancero

    Open Access•Aoife Hiney•Psychology of Music•2022

  • ‘The Potted Palms is bigger than each of us individually’

    Diana Joseph•Creative Industries Journal•2022

  • The Power of Recognition

    Open Access•Nerilee Ceatha, Paula Mayock et al.•International Journal of…•2019

  • Sight-singing in a group context

    Maria Timoshenko-Nilsson, Marcus Nyström et al.•Journal of New Music Research•2023

  • A queer relationship? The construction of a New Zealand LGBTQ community choir and its host church

    Frances Bird•Culture and Religion•2018

  • Effects of Transitional Elements on Listeners’ Aesthetic Responses to a Choral Performance

    Open Access•Kari Adams, D Gregory Springer et al.•Journal of Research in Music…•2022

  • Effects of Three Common Choral Performance Movement Conditions on Acoustic and Perceptual Measures of Choral Sound

    Open Access•Melissa L Grady, Tianna M Gilliam•Journal of Research in Music…•2020

Unique citing works14
Citations per year1,75
Citation span2018 - 2026 (9)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 14

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