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La Serenissima in Cyprus

Aspects of Venetian Art on the Edge of a Maritime Empire, 1474/89–1570/1

Bibliographic Data

ID21974995
AuthorsAnthi Andronikou (0000-0003-0294-4171, University of St Andrews, corresponding author)
Year2023
Volume12
Issue5
Pages186
Publication date2023-08-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts12050186
OpenAlexW4386384336
LanguageEN
Citations received1
References cited19

This article investigates the manifestation of Venetian visual culture of the Renaissance in the island of Cyprus, which, between 1474/89 and 1570/1, stood as one of Venice’s Mediterranean colonies. To date, scholarship on panel and wall painting production of Venetian Cyprus has devoted careful attention to the infiltration of Italian details and styles in the broader sense—mainly drawn from the Italian Middle Ages—thus failing to notice any correlations between Cypriot visual arts and contemporary Venetian. In this study, I aim to provide an overarching perspective that will illuminate the presence and assimilation of fifteenth- and sixteenth-century Venetian visual vocabulary in Cypriot artistic capital. With an emphasis on devotional painting, I will examine iconographic schemes, such as the Man of Sorrows and the Holy Conversation, and facets of stylistic and iconographic correspondences between the two territories. I will also probe the architectural function, purpose, and tenor of lunette-shaped panels in Cyprus and collate them with their Venetian equivalents. Put simply, I hope to flesh out the artistic contact Cypriot artists and their sponsors maintained with Venice rather than with Italy as a whole

Ancient history · Art · Art history · Empire · Fifteenth · Ottoman empire · Painting · Scholarship · The arts · Visual arts · Visual culture · Ancient Mediterranean Archaeology and History · Byzantine Studies and History · Classics · History · Maritime and Coastal Archaeology

  • Consumption as a Lens for Viewing the Complexities of Medieval Mediterranean Art

    Open Access•James G Schryver•Arts•2026

  • Cyprus: An island culture

    Artemis Georgiou•Cyprus : an Island Culture•2012

  • Two Notes on the Deësis

    Christopher Walter, C W Walter•Revue des études byzantines•1968

  • Artistic, Commercial, and Confessional Exchanges between Venetian Crete and Western Europe

    Open Access•Margarita Voulgaropoulou•Arts•2023

  • A ‘Lost’ Panel and a Missing Link

    Open Access•Margarita Voulgaropoulou•Arts•2021

  • Landholding and landscape in Ottoman Cyprus

    Open Access•Michael Given, Marios Hadjianastasis•Byzantine and Modern Greek Studies•2010

  • Shared devotions

    Michalis Olympios•Journal of Medieval History•2013

  • The Discovery of an Early Man of Sorrows on a Dominican Triptych

    H W Van Os•Journal of the Warburg and…•1978

  • Secular Charity, Sacred Poverty

    Open Access•Tom Nichols•Art History•2007

  • Manipulating the Sacred

    Open Access•Louise Marshall•Renaissance Quarterly•1994

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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