An Analytical Approach for Practice-based Research of the Compositional Approach
Bibliographic Data
| ID | 21981973 |
|---|---|
| Authors | James Bell (0000-0002-5117-0216), J Nigel B Bell (University of West London, corresponding author) |
| Year | 2023 |
| Volume | 13 |
| Issue | 3 |
| Pages | 17-29 |
| Publication date | 2023-12-14 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | IASPM Journal (JOURNAL) |
| Journal identifiers | ISSN: 2079-3871 • E-ISSN: 2079-3871 |
| Publisher | International Association for the Study of Popular Music (IASPM) (PUBLISHER) |
| DOI | 10.5429/2079-3871(2023)v13i3.3en |
| OpenAlex | W4390036577 |
| Language | EN |
| References cited | 7 |
This paper presents a process of analysis that has been developed via a practice-based, autoethnographic study of the processes of popular electronic music composition. The mediating effects of the tools of the music-maker are examined from an Ecological Approach to Perception (EAP) perspective, with particular reference to the theory of affordances. Concepts from Actor-Network Theory, such as nonhuman agency and translation, are used to build a framework that conceptualises how these mediating effects impact the processes of composition
Activity Theory · Actor–network theory · Affordance · Cognitive science · Epistemology · Human–computer interaction · Linguistics · Perception · Social science · Sociology · Computer Science · Diverse Music Education Insights · Diverse Musicological Studies · Music Technology and Sound Studies · Psychology · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |