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Magna Mater modernistów – kobiecość archetypiczna i inne aspekty boginiczności w epoce Młodej Polski

Bibliographic Data

ID21985383
AuthorsAleksandra Ewelina Mikinka (0000-0002-6000-8157, corresponding author), Uniwersytet Łódzki Wydział Filologiczny
Year2023
Issue22
Pages139-154
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueBiałostockie Studia Literaturoznawcze (JOURNAL)
Journal identifiersISSN: 2082-9701 • E-ISSN: 2720-0078
PublisherUniversity of Bialystok (PUBLISHER • PL)
DOI10.15290/bsl.2023.22.08
OpenAlexW4386488262
LanguagePL
References cited3

The Great Goddess is a figure/idea/deity that has been “resurrected” again and again over the past century and a half, both in the context of various scholarly studies and Western spirituality. The popularity of the concept of the Great Goddess is analyzed from the perspective of various disciplines: psychology, anthropology, history of religion, etc. The origins of this phenomenon – the great return and vindication of the female deity in culture – lie primarily in the 19th-century literary texts and philosophical essays. The pancultural motif of Magna Mater has already captured the attention of Polish literary scholars, but the research has mainly concerned contemporary works and has concentrated primarily on the fantasy genre. Drawing in particular from the field of depth psychology, the author of the article adopts similar research methods to analyze works from the turn of the 19th and 20th centuries. She seeks to discover in them the archetype of the Great Goddess, which already at that time began to inspire female and male artists. This resulted in extremely interesting literary creations and motifs, including Polish works

Aesthetics · Archaeology · Archetype · Art · Art history · Epistemology · Fantasy · Literature · Phenomenon · Sociology · Spirituality · Central European Literary Studies · Education and Cultural Studies · Historical and Cultural Studies of Poland · History · Philosophy

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Highly citedNo

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