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Sasando as a Symbol of Cultural Identity of the Rote Island Community and the Challenges of Preserving

Bibliographic Data

ID21987641
AuthorsRolfi Junyanto Is Natonis, Muhammad Jazuli (0000-0002-3389-4341), Udi Utomo (0000-0003-2089-4526), Widodo (0000-0002-4564-2694), Widodo Widodo (0000-0001-7933-6495), Puput Meinis Narselina (0000-0002-7975-6729)
Year2025
Volume26
Issue1
Pages68-95
Publication date2025-04-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRESITAL JURNAL SENI PERTUNJUKAN (JOURNAL)
Journal identifiersISSN: 2085-9910 • E-ISSN: 2338-6770
PublisherInstitut Seni Indonesia Yogyakarta (PUBLISHER)
DOI10.24821/resital.v26i1.15071
OpenAlexW4413854574
LanguageEN
Citations received1

This research examines Sasando as a symbol of cultural identity and pride of the people of Rote Island by exploring its philosophical values, social functions, and the challenges of its preservation in the midst of modernization. The present study employed a qualitative case study approach, with data collected through participatory observation and in-depth interviews with Sasando players, craftsmen, and cultural figures. The research findings reveal three key aspects: the value of cultural identity reflected in the use of natural materials (bamboo and palm) and its role in traditional rituals as a marker of local wisdom, social function as a medium of community unification in collaborative events and a means of intergenerational value transmission, and preservation challenges in the form of declining interest from the younger generation, lack of integration in formal education, and limited promotion. The research also identified opportunities through cultural festivals and tourism-based economic potential. The research conclusions emphasize that Sasando is not merely a musical instrument, but rather a symbol of collective identity that represents the history, social values, and cultural resilience of the Rote people. The following policy recommendations are put forth: first, the integration of a Sasando-based curriculum; second, the strengthening of youth training programs; and third, multi-stakeholder collaboration for sustainable promotion strategies. This research makes a theoretical contribution to the discussion of the relationship between traditional musical instruments, identity construction, and cultural preservation strategies in the midst of globalization

Aesthetics · Art · Linguistics · Sociology · Communication · Migration, Education, Indigenous Social Dynamics · Philosophy

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    Open Access•Muhammad Junaldi Jufri, Miftahuddin Miftahuddin•Jurnal Adat dan Budaya Indonesia•2026

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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