Muhammad Jazuli
Biographic Data
| ID | 4980134 |
|---|---|
| NAME | Muhammad Jazuli |
| GIVEN NAMES | Muhammad |
| FAMILY NAME | Jazuli |
| SIGNATURE | JAZULI M |
| AFFILIATIONS | State University of Semarang |
| ORCID | 0000-0002-3389-4341 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
From Indigenous dance to physical literacy
This dissertation examines the Kelik Lang dance of the Suku Anak Dalam community in Jambi Province, Indonesia, as a form of Indigenous movement knowledge linked to cultural transmission and physical literacy in early childhood education. Using critical ethnography and Community-Based Action Research, data were collected through participant observation, interviews, focus groups, movement documentation, and field notes involving customary leaders, …
From Cultural Heritage to Classroom
Traditional performing arts have rarely been embedded in early childhood curricula despite their developmental and cultural potential. This study adapted the Panji Laras Mask Dance for kindergarten learners in Malang, Indonesia, to address that gap. Using a descriptive qualitative single-case design, the research involved collaborative workshops with teachers and cultural practitioners, twelve classroom observations, in-depth interviews, and docu…
Kondo Buleng Traditional Theatre as a Propaganda Media for Marine Waste Management in the BugisMakassar Coastal Community in South Sulawesi, Indonesia
One of the vernacular communities that inhabit the coastal area of Indonesia is the Bugis-Makassar coastal community, in the South Sulawesi Province. Their activities have a direct impact on the condition of the beaches and oceans, including the discharge of pollution which produces marine debris. This research examines the potentials of the Kondo Buleng traditional theatre which originates from the traditional beliefs of the Bugis-Makassar coast…
Aesthetics of the Cowongan Dance at Sanggar Sekar Shanty Banjarnegara
This research aims to analyze the aesthetics in the Cowongan Dance by Gading Nadaswara Kemilau Banyu Biru. Cowongan dance has its own uniqueness and specifically has never been studied regarding its aesthetics so researchers are interested in conducting research. This research uses a qualitative descriptive approach with data collection techniques, namely observation, in-depth interviews and document review. The analysis was carried out using aes…
Sasando as a Symbol of Cultural Identity of the Rote Island Community and the Challenges of Preserving
This research examines Sasando as a symbol of cultural identity and pride of the people of Rote Island by exploring its philosophical values, social functions, and the challenges of its preservation in the midst of modernization. The present study employed a qualitative case study approach, with data collected through participatory observation and in-depth interviews with Sasando players, craftsmen, and cultural figures. The research findings rev…
Preserving the Zapin Pecah Dua Belas Dance to strengthen local cultural identity in Riau, Indonesia
This study explores how the city of Pekanbaru, Riau, preserves and strengthen its cultural identity through the Zapin Pecah Dua Belas was once part of the schoolcurriculum and performed regularly. However, curriculum changes have led to its decline in formal education. This research aims to examine preservation efforts for this dance in Pekanbaru, particulary through local art studios. Using a qualitative case study approach, data were collected …
Kondo Buleng Traditional Theatre as a Propaganda Media for Marine Waste Management in the BugisMakassar Coastal Community in South Sulawesi, Indonesia
One of the vernacular communities that inhabit the coastal area of Indonesia is the Bugis-Makassar coastal community, in the South Sulawesi Province. Their activities have a direct impact on the condition of the beaches and oceans, including the discharge of pollution which produces marine debris. This research examines the potentials of the Kondo Buleng traditional theatre which originates from the traditional beliefs of the Bugis-Makassar coast…
Preserving Traditional Art in Vernacular Settlements
Rapa’i Geurimpheng Art is a form of traditional art which comes from Aceh, Indonesia covering the music and dance show by using rapa’i musical instrument. It has the great potential to be presebrved. In this context, this research examines the role and challenges in the effort of Rapa’i Geurimpheng Art preservation in Ukee Village, Pidie Regency, Aceh Province as an unseparated cultural heritage from Aceh. The research employed a qualitative appr…
Analysis of dancer in the choreography of the Lilin Siwa dance group in Palembang, South Sumatra
The polemic for Palembang artists is about dancers. Physically, the established size standards give rise to discrimination for some groups in society. This research emerged because the Lilin Siwa dance does not consider physical size standards, but emphasizes that good dancers can perform dance techniques proportionally. The role of dancers in group choreography is very important, especially in the Lilin Siwa Dance. However, the dancer aspect is …
Manajemen Produksi Pertunjukan Tari Sanggar Pangreksa Budaya Kota Semarang
RINGKASANSanggar Pangreksa Budaya merupakan sanggar yang berada di Kecamatan Gunungpati Kota Semarang dan berdiri sejak tahun 2016. Sejak awal berdirinya sampai saat ini telah memberikan kontribusi pada pelestarian seni tari. Sanggar Pangreksa Budaya mendapat kepercayaan masyarakat dalam memproduksi tari yang di tampilkan di berbagai kegiatan kesenian. Di balik berkembangnya sebuah sanggar bergantung pada cara manajemen yang diterapkan, maka dari…
YouTube as a Platform for Promoting Digital Works
YouTube is the worldTMs largest video platform and has become a popular place for musicians to promote their digital music. This study aims to describe the effectiveness of YouTube as a platform to promote digital music by the music group Ndarboy Genk. The method used is descriptive-qualitative, describing Ndarboy Genk musicians who have used YouTube to promote their digital music. The perspective used to study this research is Internet marketing…
Communication Through Music During the Attack of Covid-19
Precisely December 2019, the pandemic or Corona virus 2019 was first identified in the city of Wuhan in China. Since then, more than 100 million people have been detected by the virus, which WHO states are because it has spread to more than 215 countries. Covid has increased its impact on health and all music business and education, so it has impacted the decline of musical activity. During the pandemic, various studies have been carried out, but…
The Identity Construction Through Music Notation of The Indigenous Style of Gitar Tunggal Lampung Pesisir
This study aims to reveal the meaning of music notation writing of gitar tunggal Lampung Pesisir written by Imam Rozali. Imam is a gitar tunggal player who wrote his technique and playing style in notation symbols. This article uses a case study research design with pattern matching techniques (Yin, 2018). Data were collected through observation, interviews, document analysis, and audio recordings. A series of tests were carried out on the notati…
Bentuk dan Gaya Kesenian Barongan Blora
Seni Barongan merupakan cerminan kreativitas seni dan budaya Blora di Jawa Tengah yang bersifat kerakyatan dan syarat makna, seperti spontan, sederhana, kekeluargaan, kasar, menantang, dan berani karena memang benar. Sifat kerakyatan membuat masyarakat Blora memiliki kekuatan yang luar biasa dalam menjalani kehidupannya. Topeng singa dalam kesenian Barongan merupakan simbol kekuatan dan kekuatan. Simbol ini merupakan nilai yang sangat penting unt…
From Ritual to Entertainment
Purpose of the study: The aim of the study is to 1) describe the Barongan Performance Arts presented in the form of parades and dance-drama on aspects of motion, accompaniment, makeup, fashion, and venue; 2) describe the role of Barongan Performance Arts in Blora society, namely the role of ritual and the role of entertainment that has lasted a long time; and 3) describe the changing role of Barongan Performance Arts from ritual to entertainment …
Makna Simbolik Pertunjukan Tari Topeng Klana Cirebon Gaya Palimanan
Tujuan penelitian ini adalah untuk mendeskripsikan makna simbolik pertunjukan Tari Topeng Klana Cirebon. Metode yang digunakan adalah metode penelitian kualitatif dengan pendekatan semiotika. Data diperoleh melalui observasi, wawancara dan dokumentasi yang diabsahkan dengan triangulasi, kemudian dianalisis menggunakan tahap pengumpulan data, reduksi data, penyajian data dan penarikan simpulan. Hasil penelitian menunjukan makna Tari Topeng Klana t…
Aesthetics of Prajuritan Dance in Semarang Regency
The scarcity of aesthetic study of traditional arts has evoked my intention to promote a model of aesthetic study in dance performance. The focus of this research is the aesthetics of Prajuritan dance in Semarang regency. The aesthetics were founded on dance choreography and cultural value systems, which grow and develop in the community of Semarang regency. Dances choreography includes dance background, form, shape, theme, number and formation o…
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Aesthetics of Prajuritan Dance in Semarang Regency
The scarcity of aesthetic study of traditional arts has evoked my intention to promote a model of aesthetic study in dance performance. The focus of this research is the aesthetics of Prajuritan dance in Semarang regency. The aesthetics were founded on dance choreography and cultural value systems, which grow and develop in the community of Semarang regency. Dances choreography includes dance background, form, shape, theme, number and formation o…
Makna Simbolik Pertunjukan Tari Topeng Klana Cirebon Gaya Palimanan
Tujuan penelitian ini adalah untuk mendeskripsikan makna simbolik pertunjukan Tari Topeng Klana Cirebon. Metode yang digunakan adalah metode penelitian kualitatif dengan pendekatan semiotika. Data diperoleh melalui observasi, wawancara dan dokumentasi yang diabsahkan dengan triangulasi, kemudian dianalisis menggunakan tahap pengumpulan data, reduksi data, penyajian data dan penarikan simpulan. Hasil penelitian menunjukan makna Tari Topeng Klana t…
Bentuk dan Gaya Kesenian Barongan Blora
Seni Barongan merupakan cerminan kreativitas seni dan budaya Blora di Jawa Tengah yang bersifat kerakyatan dan syarat makna, seperti spontan, sederhana, kekeluargaan, kasar, menantang, dan berani karena memang benar. Sifat kerakyatan membuat masyarakat Blora memiliki kekuatan yang luar biasa dalam menjalani kehidupannya. Topeng singa dalam kesenian Barongan merupakan simbol kekuatan dan kekuatan. Simbol ini merupakan nilai yang sangat penting unt…
From Ritual to Entertainment
Purpose of the study: The aim of the study is to 1) describe the Barongan Performance Arts presented in the form of parades and dance-drama on aspects of motion, accompaniment, makeup, fashion, and venue; 2) describe the role of Barongan Performance Arts in Blora society, namely the role of ritual and the role of entertainment that has lasted a long time; and 3) describe the changing role of Barongan Performance Arts from ritual to entertainment …
The Identity Construction Through Music Notation of The Indigenous Style of Gitar Tunggal Lampung Pesisir
This study aims to reveal the meaning of music notation writing of gitar tunggal Lampung Pesisir written by Imam Rozali. Imam is a gitar tunggal player who wrote his technique and playing style in notation symbols. This article uses a case study research design with pattern matching techniques (Yin, 2018). Data were collected through observation, interviews, document analysis, and audio recordings. A series of tests were carried out on the notati…
YouTube as a Platform for Promoting Digital Works
YouTube is the worldTMs largest video platform and has become a popular place for musicians to promote their digital music. This study aims to describe the effectiveness of YouTube as a platform to promote digital music by the music group Ndarboy Genk. The method used is descriptive-qualitative, describing Ndarboy Genk musicians who have used YouTube to promote their digital music. The perspective used to study this research is Internet marketing…
Communication Through Music During the Attack of Covid-19
Precisely December 2019, the pandemic or Corona virus 2019 was first identified in the city of Wuhan in China. Since then, more than 100 million people have been detected by the virus, which WHO states are because it has spread to more than 215 countries. Covid has increased its impact on health and all music business and education, so it has impacted the decline of musical activity. During the pandemic, various studies have been carried out, but…
Manajemen Produksi Pertunjukan Tari Sanggar Pangreksa Budaya Kota Semarang
RINGKASANSanggar Pangreksa Budaya merupakan sanggar yang berada di Kecamatan Gunungpati Kota Semarang dan berdiri sejak tahun 2016. Sejak awal berdirinya sampai saat ini telah memberikan kontribusi pada pelestarian seni tari. Sanggar Pangreksa Budaya mendapat kepercayaan masyarakat dalam memproduksi tari yang di tampilkan di berbagai kegiatan kesenian. Di balik berkembangnya sebuah sanggar bergantung pada cara manajemen yang diterapkan, maka dari…
Kondo Buleng Traditional Theatre as a Propaganda Media for Marine Waste Management in the BugisMakassar Coastal Community in South Sulawesi, Indonesia
One of the vernacular communities that inhabit the coastal area of Indonesia is the Bugis-Makassar coastal community, in the South Sulawesi Province. Their activities have a direct impact on the condition of the beaches and oceans, including the discharge of pollution which produces marine debris. This research examines the potentials of the Kondo Buleng traditional theatre which originates from the traditional beliefs of the Bugis-Makassar coast…
Aesthetics of the Cowongan Dance at Sanggar Sekar Shanty Banjarnegara
This research aims to analyze the aesthetics in the Cowongan Dance by Gading Nadaswara Kemilau Banyu Biru. Cowongan dance has its own uniqueness and specifically has never been studied regarding its aesthetics so researchers are interested in conducting research. This research uses a qualitative descriptive approach with data collection techniques, namely observation, in-depth interviews and document review. The analysis was carried out using aes…
Sasando as a Symbol of Cultural Identity of the Rote Island Community and the Challenges of Preserving
This research examines Sasando as a symbol of cultural identity and pride of the people of Rote Island by exploring its philosophical values, social functions, and the challenges of its preservation in the midst of modernization. The present study employed a qualitative case study approach, with data collected through participatory observation and in-depth interviews with Sasando players, craftsmen, and cultural figures. The research findings rev…
Preserving the Zapin Pecah Dua Belas Dance to strengthen local cultural identity in Riau, Indonesia
This study explores how the city of Pekanbaru, Riau, preserves and strengthen its cultural identity through the Zapin Pecah Dua Belas was once part of the schoolcurriculum and performed regularly. However, curriculum changes have led to its decline in formal education. This research aims to examine preservation efforts for this dance in Pekanbaru, particulary through local art studios. Using a qualitative case study approach, data were collected …
Kondo Buleng Traditional Theatre as a Propaganda Media for Marine Waste Management in the BugisMakassar Coastal Community in South Sulawesi, Indonesia
One of the vernacular communities that inhabit the coastal area of Indonesia is the Bugis-Makassar coastal community, in the South Sulawesi Province. Their activities have a direct impact on the condition of the beaches and oceans, including the discharge of pollution which produces marine debris. This research examines the potentials of the Kondo Buleng traditional theatre which originates from the traditional beliefs of the Bugis-Makassar coast…
Preserving Traditional Art in Vernacular Settlements
Rapa’i Geurimpheng Art is a form of traditional art which comes from Aceh, Indonesia covering the music and dance show by using rapa’i musical instrument. It has the great potential to be presebrved. In this context, this research examines the role and challenges in the effort of Rapa’i Geurimpheng Art preservation in Ukee Village, Pidie Regency, Aceh Province as an unseparated cultural heritage from Aceh. The research employed a qualitative appr…
Analysis of dancer in the choreography of the Lilin Siwa dance group in Palembang, South Sumatra
The polemic for Palembang artists is about dancers. Physically, the established size standards give rise to discrimination for some groups in society. This research emerged because the Lilin Siwa dance does not consider physical size standards, but emphasizes that good dancers can perform dance techniques proportionally. The role of dancers in group choreography is very important, especially in the Lilin Siwa Dance. However, the dancer aspect is …
From Indigenous dance to physical literacy
This dissertation examines the Kelik Lang dance of the Suku Anak Dalam community in Jambi Province, Indonesia, as a form of Indigenous movement knowledge linked to cultural transmission and physical literacy in early childhood education. Using critical ethnography and Community-Based Action Research, data were collected through participant observation, interviews, focus groups, movement documentation, and field notes involving customary leaders, …
From Cultural Heritage to Classroom
Traditional performing arts have rarely been embedded in early childhood curricula despite their developmental and cultural potential. This study adapted the Panji Laras Mask Dance for kindergarten learners in Malang, Indonesia, to address that gap. Using a descriptive qualitative single-case design, the research involved collaborative workshops with teachers and cultural practitioners, twelve classroom observations, in-depth interviews, and docu…
Art (11 works) · Cultural and Artistic Studies (9 works) · Child Development and Education (8 works) · Dance (8 works) · Sociology (6 works) · Visual arts (6 works) · Aesthetics (5 works) · Humanities (4 works) · Philosophy (4 works) · Choreography (3 works)