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Aesthetics of the Cowongan Dance at Sanggar Sekar Shanty Banjarnegara

Bibliographic Data

ID22210708
AuthorsDian Wardani Putri (State University of Semarang), Muhammad Jazuli (0000-0002-3389-4341, State University of Semarang)
Year2025
Volume9
Issue2
Pages519-531
Publication date2025-12-18
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGondang Jurnal Seni dan Budaya (JOURNAL)
Journal identifiersISSN: 2599-0543 • E-ISSN: 2599-0594
PublisherState University of Medan (PUBLISHER • ID)
DOI10.24114/gondang.v9i2.68331
OpenAlexW7156372027
LanguageEN

This research aims to analyze the aesthetics in the Cowongan Dance by Gading Nadaswara Kemilau Banyu Biru. Cowongan dance has its own uniqueness and specifically has never been studied regarding its aesthetics so researchers are interested in conducting research. This research uses a qualitative descriptive approach with data collection techniques, namely observation, in-depth interviews and document review. The analysis was carried out using aesthetic theory which includes form, weight or content, and appearance. The results of this research show that aesthetics seen from the form side, the Cowongan Dance has a unique form of presentation with ritual-themed choreography as a development of creative dance works. Judging from its weight, the Cowongan Dance contains a magical atmosphere and a message of preserving the traditions of the local community. In terms of appearance, this dance is presented with dynamic choreography supported by movements, unique props, make-up and clothing, as well as musical accompaniment that strengthens the meaning of the Cowongan Dance. This research reveals the aesthetic values created from local community traditions through the creativity of the younger generation to preserve them

Choreography · Concert dance · Contemporary dance · Creativity · Dance · Dance improvisation · Child Development and Education · Cultural and Artistic Studies · Sustainability and Innovation in Business

Citation velocityhistorical
Highly citedNo

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