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‘Words, Words, Words’

Making Comics and Sense of the Three Texts of Hamlet

Bibliographic Data

ID22003408
AuthorsMichael Cop (University of Otago, corresponding author), David Clay Large (University of Otago), David Large (University of Otago)
Year2023
Volume14
Issue1
Pages89-103
Publication date2023-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Graphic Novels & Comics (JOURNAL)
Journal identifiersISSN: 2150-4857 • E-ISSN: 2150-4865
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/21504857.2022.2038224
OpenAlexW4214933481
LanguageEN
Citations received2
References cited17

In teaching our first-year university students to understand what Shakespearean language is and what it does, we asked them to edit the three different early modern editions of Hamlet and then adapt their edits into a comics spread. Using some of the numerous graphic novel adaptations of Shakespeare and a platform that we forked from Willian Carvalho’s 2012 project ‘comicgen’, our first-year university students create their own visual representations of Shakespearean dialogue. This article explores the early modern texts that often coalesce to form a modern edition of Hamlet, the many Shakespearean graphic novels available today, the pedagogical comics platform created for our students, and the results of our pedagogical project

Art · Comics · Linguistics · Literature · Comics and Graphic Narratives · Digital Storytelling and Education · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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    Open Access•Susan Civale, Rachael Stone•Literacy•2026

  • Blockage-Path Reading in Comics

    Michael Cop•Journal of Graphic Novels & Comics•2025

  • The ‘Strange Alteration’ of Hamlet

    Shari Sabeti•Changing English•2014

Unique citing works2
Citations per year2
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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