Cinema And Society In The Light Of Emile Zola’s Naturalism
Bibliographic Data
| ID | 22007259 |
|---|---|
| Authors | Hossein Shahin Karbalaeetaher (Hochschule für bildende Künste, corresponding author) |
| Year | 2020 |
| Volume | 8 |
| Issue | 1 |
| Pages | 141-155 |
| Publication date | 2020-03-11 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | CINEJ Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 2158-8724 • E-ISSN: 2159-2411 |
| Publisher | University Library System, University of Pittsburgh (PUBLISHER • US) |
| DOI | 10.5195/cinej.2020.244 |
| OpenAlex | W3012405632 |
| Language | EN |
| Citations received | 2 |
| References cited | 1 |
This study will seek to discuss the essential impact of Emile Zola’s naturalism regarding the role of cinema in projecting social issues. To be clear on how cinema has got involved with social issues and has become an effective art form for distributing social messages and encouraging social changes, this study first will give a detailed historical background on the relationship between cinema itself and society. Then, it will elaborate on Emile Zola's naturalistic literature role as the first serious endeavors to raise social awareness through art and literature in the late nineteenth century. Finally, this study will focus on the first cinematic movement with an emphasis on the depiction of the working class' real life and revealing inequalities and injustices in a society based on Zola’s naturalism
Aesthetics · Art · Depiction · Epistemology · Literature · Movie theater · Naturalism · Sociology · Cinema and Media Studies · French Literature and Criticism · Philosophy · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2021 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |