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Remembering Thomas Elsaesser and Peter Wollen

Bibliographic Data

ID22007376
AuthorsMurat Akser (0000-0001-9772-394X, University of Ulster, corresponding author)
Year2020
Volume8
Issue1
Pages1-13
Publication date2020-03-11
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCINEJ Cinema Journal (JOURNAL)
Journal identifiersISSN: 2158-8724 • E-ISSN: 2159-2411
PublisherUniversity Library System, University of Pittsburgh (PUBLISHER • US)
DOI10.5195/cinej.2020.286
OpenAlexW3012108099
LanguageEN
Citations received1
References cited17

Late in 2019 film studies lost two of its founding members that help define the field as a discipline with their work in the last 50 years. Thomas Elsaesser was one of the founding members of the editorial board of CINEJ Cinema Journal. His contribution to the study of German Cinema, founding of Amsterdam School of Cultural Studies and training of countless PhD students in the field will be a long-lasting legacy for this giant figure of cinema and media studies. Peter Wollen will be remembered for his Signs and Meaning in the Cinema and as the father of structuralism in film studies. Along with his partner Laura Mulvey he will also be remembered as a pioneering experimental media producer

Art history · Epistemology · Film studies · German · Media studies · Movie theater · Sociology · Cinema and Media Studies · History · Philosophy

  • Cinema, Life and Other Viruses

    Open Access•Murat Akser•CINEJ Cinema Journal•2020

  • Re-Distributing Gender in the Global Film Industry

    Open Access•Deb Verhoeven, Bronwyn Coate et al.•Media Industries•2019

  • Raiding the Icebox

    Marcel Cornis-Pope, Peter Wollen•World Literature Today•1994

  • Man In A Hat

    Open Access•John Thomas Mcguire•CINEJ Cinema Journal•2020

  • Cinema And Society In The Light Of Emile Zola’s Naturalism

    Open Access•Hossein Shahin Karbalaeetaher•CINEJ Cinema Journal•2020

  • Venom

    Open Access•Volkan Yücel•CINEJ Cinema Journal•2020

  • Performing Heteronormativity

    Open Access•Ziya Toprak•CINEJ Cinema Journal•2020

  • Rethinking Pornography within the Context of the New French Extremity

    Open Access•Şirin Fulya Erensoy•CINEJ Cinema Journal•2020

  • Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos

    Open Access•Suphi Keskin, Burcu Baykan•CINEJ Cinema Journal•2020

  • Deglamming as Estrangement

    Open Access•Sharrona Pearl, S A Pearl•CINEJ Cinema Journal•2020

  • Ways of thinking about music video (and post‐modernism)

    Open Access•Peter Wollen•Critical Quarterly•1986

  • Ways of thinking about music video (and post‐modernism)

    Open Access•Peter Wollen•Critical Quarterly•1986

  • Ontology' and 'Materialism' in Film

    P Wollen•Screen•1976

  • European Cinema. Face to Face with Hollywood

    Tim Bergfelder•Screen•2006

  • Politics of Succession in Nollywood Films, Saworoide and Ikoka

    Open Access•Osakue Stevenson Omoera, Chukwuma Anyanwu•CINEJ Cinema Journal•2020

  • European Cinema and Continental Philosophy

    Thomas Elsaesser, David Martin-Jones et al.•European Cinema and Continental…•2018

  • The New Film History as Media Archaeology

    Thomas Elsaesser•Cinémas Revue d études…•2005

  • Cinema-going during the Gezi protests

    Ozge Ozduzen•Social & Cultural Geography•2017

Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo

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