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Literatura, Direito E Sociologia Das Relações Raciais No Romance Os Tambores De São Luís

Bibliographic Data

ID22013965
AuthorsPaulo Fernando Soares Pereira (0000-0001-6802-9035, Universidade de Brasília, corresponding author)
Year2020
Volume12
Issue34
Pages658-686
Publication date2020-11-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista da Associação Brasileira de Pesquisador s Negr s - ABPN (JOURNAL)
Journal identifiersISSN: 2177-2770 • E-ISSN: 2177-2770
PublisherRevista da ABPN (PUBLISHER)
DOI10.31418/2177-2770.2020.v12.n.34.p658-686
OpenAlexW3110422620
LanguagePT

The article aims to analyze how racial relations are in the novel “The Drums of São Luís: the saga of the black Brazilian”, by Josué Montello, relating the speech of the characters, predominantly black ones, with the positions of portion of literature that discusses racial relations, mainly from the thoughts of Frantz Fanon. The reason for choosing this clipping is due to the depth of historical and sociological information contained in the text of the book, which elected the fight against black slavery as the center of the narrative protagonism. In this context, the voices of the characters will be confronted with the chosen portion of literature that deals with racial relations. The text was systematized in three moments, which correspond to the temporal periods included in the novel: a) colonialism that settles: the “quilombos” as places of speech and resistance of the subjects; b) colonialism that consolidates: urban life and the dilemmas of racism and; c) colonialism that persists: the abolition and non-inclusion of the black population in the emerging Republic. As a result, it presents the relevance of the black characters role in literature as subjects who fight for the effectiveness of their rights and as builders of their stories. The methodology consisted of the critical literature review

Art · Colonialism · Humanities · Literature · Narrative · Racism · Romance · Sociology · Gender Studies · History · Literature, Culture, and Criticism

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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