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Characteristics of the Professional Identity of Music Teachers

Bibliographic Data

ID22149576
AuthorsDina K Kirnarskaya (0000-0003-1059-5776), Elena Ravil'evna Sizova (0009-0009-3791-7158, Tchaikovsky State Institute of Physical Culture), Anna Taskaeva (0000-0002-4398-2644, Tchaikovsky State Institute of Physical Culture)
Year2025
Issue11
Pages71-88
Publication date2025-11-01
Open AccessYes
TypeARTICLE
VenueКультура и искусство (JOURNAL)
Journal identifiersISSN: 2454-0625 • E-ISSN: 2454-0625
PublisherAurora Group, s.r.o (PUBLISHER)
DOI10.7256/2454-0625.2025.11.76958
OpenAlexW7107967966
LanguageEN
References cited2

The study focuses on the peculiarities of the professional identity of music teachers. The theoretical framework is based on J. Marcia's identity status theory and L.B. Shneider's approach, which considers professionally differentiating features as markers of belonging to a community. The research hypothesis is that the professional identity of a music teacher is constructed through a system of specific professionally differentiating features: command of specific terminology, use of a specific professional lexicon, values and norms, professional myths, perceptions of alma mater, one's teachers and professional predecessors, professionally important qualities, professional skills and abilities, as well as professional superstitions. A specialized questionnaire was used as the method, aimed at identifying the specifics of professional terminology, jargon, values, norms, professional myths, the role of alma mater and the teacher, professionally important qualities, and rituals. The sample consisted of 52 teachers from the South Ural State Institute of Arts named after P.I. Tchaikovsky, representing all levels of education. The study revealed a complex, multicomponent structure of the professional identity of music teachers, formed at the intersection of three key roles: the craftsman (bearer of technique and school), the artist-interpreter (working with artistic images), and the psychologist-motivator (building personal contact with the student). A strong axiological foundation of the profession was identified, where humanistic and educational values dominate. Distinct professional markers were also discovered: specific terminology, developed professional jargon, veneration of alma mater and the teacher, a regional pantheon of "professional heroes," and a set of professional rituals. Thus, the scientific novelty of the work lies in the comprehensive empirical study and verification of the structure of the music teachers' professional identity through a system of professionally differentiating features, revealing its specificity as a synthesis of pedagogical, artistic-creative, and socio-psychological elements

Humanism · Novelty · Professional development · Professional studies · The arts · Veneration · Diverse Music Education Insights · Educational Methods and Teacher Development · Psychology of Development and Education

  • Development and validation of ego-identity status

    James E Marcia•Journal of Personality and Social…•1966

Highly citedNo

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