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The Literary Form and Revolution

The Politics of Melodrama in Late Chartist Literature

Bibliographic Data

ID22153243
AuthorsThinkal Hansan (University of Delhi, corresponding author)
Year2023
Volume8
Issue5
Pages270-278
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of English Literature and Social Sciences (JOURNAL)
Journal identifiersISSN: 2456-7620 • E-ISSN: 2456-7620
PublisherAI Publications (PUBLISHER)
DOI10.22161/ijels.85.42
OpenAlexW4388400969
LanguageEN
Citations received1
References cited12

The period of late Chartism beginning in the late 1840s coincided with the transformation of the British press as a reaction to the advancement in industrial capitalism and the changing character of the public sphere to which it contributed directly. The resultant emergence of the British press in the mid nineteenth century from a political discourse to print journalism had direct political implication on the working class/Chartist press as well as their political agitation and plebeian public sphere. This paper will explore the effect of the ‘popular’ (both the press and culture) on the Chartist Press and literature and how the Chartist writers and editors including Ernest Jones and George W.M. Reynolds appropriated the emergent notion of the popular for radical political propaganda. I will argue that the staple rhetoric and dominant form of nineteenth century melodrama and sensationalism were used by these authors to create a distinctive class-conscious readership. Melodrama became, in the Chartist press, both an emotional reaction to the liberal capitalist economy’s classificatory politics as well as formed a resistance to the same creating a distinctive working class public sphere that publicized the private in political terms

Art · Capitalism · Journalism · Literature · Media studies · Political science · Politics · Public sphere · Rhetoric · Sensationalism · Sociology · Gender, Feminism, and Media · History · Irish and British Studies · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism

  • The Literary Form and Revolution

    Open Access•Thinkal Hansan•International Journal of English…•2023

  • The Press and Popular Culture

    Martin Conboy•The Press and Popular Culture•2002

  • The Chartist Experience

    Open Access•James Epstein, Dorothy Thompson•Chartist Experience•1982

  • The Literary Form and Revolution

    Open Access•Thinkal Hansan•International Journal of English…•2023

  • The Condition of the Working-Class in England in 1844

    Open Access•Friedrich Engels, Florence Kelley Wischnewetzky•Condition of the Working-Class in…•2010

  • The Revolution in Popular Literature

    Open Access•Ray B Browne•The Journal of American Culture•2005

  • History and Its Ends in Chartist Epic

    Open Access•Pamela K Gilbert•Victorian Literature and Culture•2009

  • Melodramatic Tactics

    John Kucich, Elaine Hadley•Studies in Romanticism•1999

  • Liberal Political Theory and Working-class Radicalism in Nineteenth-Century England

    Open Access•Richard Ashcraft•Political Theory•1993

  • Chartist Aesthetics in the Mid Nineteenth Century

    Sally Ledger•Nineteenth-Century Literature•2002

  • After Chartism

    Michael Dintenfa, Michael Dintenfass et al.•The Journal of Interdisciplinary…•1995

  • The Chartist Experience

    John Rule, James Epstein et al.•The Economic History Review•1983

  • Rethinking the Public Sphere

    Nancy Fraser•Social Text•1990

Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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