Blackface, White Noise
The Jewish Jazz Singer Finds His Voice
Bibliographic Data
| ID | 2217166 |
|---|---|
| Authors | Michael Rogin (corresponding author) |
| Year | 1992 |
| Volume | 18 |
| Issue | 3 |
| Pages | 417-453 |
| Publication date | 1992-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/448640 |
| OpenAlex | W1984166422 |
| Language | EN |
| Citations received | 41 |
Art · Art history · Jazz · Judaism · Literature · Performance art · White (mutation · Cinema and Media Studies · Classics · History · Shakespeare, Adaptation, and Literary Criticism · South Asian Cinema and Culture
Democracy and Burnt Cork
Signs of Difference
Passing for White, Passing for Black
Displacing Desire
Louis Agassiz and the American School of Ethnoeroticism
Spanish Masquerade and the Drama of Racial Identity in Uncle Tom’s Cabin
Framing the Black Soldier
First of the Red Hot Mamas
Spanish Masquerade and the Drama of Racial Identity in Uncle Tom’s Cabin
Rogin's Noise
Who's Your Mama? "White" Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom
Confederate Counterfeit
“A More Perfect Likeness”
“Rightly Viewed”
Ida B. Wells and the Shadow Archive
Image/Music/Voice
Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth
The Ennobling of a "Folk Tradition" and the Disempowerment of the Performers
The Face of America
Experiments in Early Sound Film Music
Mapping Race
Ambivalent white racial identities
Games of hide and seek
Manufacturing the American child
Black like Who? Cross-Testing the "Real" Lines of John Howard Griffin's "Black like Me
How I Became White While Punching de Tar Baby
Powers of Blackness
Race and the Working-Class Past in the United States
Opening the Cabaret America Allegory
Beyond Identity Politics
Melancholy Bodies
The Representation of Absence
Performativity Trouble
Copying Cosby
Passing and the performance of gender, race, and class acts
Waiting to Fall
Beyond Tocqueville, Please
Interrogating "Whiteness," Complicating "Blackness
The Possessive Investment in Whiteness
Use and Abuse of Race and Culture
Sacred Songs Popular Prices
| Unique citing works | 41 |
|---|---|
| Citations per year | 1,21 |
| Citation span | 1992 - 2025 (34) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 40 |