Passing and the performance of gender, race, and class acts
A theoretical framework
Bibliographic Data
| ID | 4516888 |
|---|---|
| Authors | Liora Moriel (University of Maryland, College Park, corresponding author) |
| Year | 2005 |
| Volume | 15 |
| Issue | 1 |
| Pages | 167-210 |
| Publication date | 2005-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women & Performance a journal of feminist theory (JOURNAL) |
| Journal identifiers | ISSN: 0740-770X • E-ISSN: 1748-5819 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07407700508571493 |
| OpenAlex | W2019486118 |
| Language | EN |
| Citations received | 9 |
| References cited | 37 |
(2005). Passing and the performance of gender, race, and class acts: A theoretical framework. Women & Performance: a journal of feminist theory: Vol. 15, No. 1, pp. 167-210
Sociology · Cinema and Media Studies · Computer Science · Gender Studies · Music History and Culture · Psychology · Theatre and Performance Studies · Artificial Intelligence
Zora Neale Hurston
White by Definition
Transmen and FTMs
Visual and Other Pleasures
Interpreting Films
The Presentation of Self in Everyday Life
Deep South
Autobiography of an Ex-Colored Man, The
Displacing Desire
Borderlands/La Frontera
"The Autobiography of an Ex-Coloured Man" by James Weldon Johnson
Dictionary of Word Origins.
Cinema, Theory, and Political Responsibility in Contemporary Culture
Neither Black Nor White Yet Both
Passing and the Fictions of Identity
‘Bodies that Matter’
The Painted Bird
Appropriating Blackness
Black Feminist Thought
Nella Larsen's Passing and the Fading Subject
Passing
The Half Blood
Underdogs and Tricksters
Blackface, White Noise
| Unique citing works | 9 |
|---|---|
| Citations per year | 1,13 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |