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Tracking Javanese Traditional Arts in North Sumatra 1900-1930s

Bibliographic Data

ID22193156
AuthorsRirin Darini (Yogyakarta State University), Nanang Setiawan (0009-0002-5628-2193, Yogyakarta State University), Muhammad Yuanda Zara (0000-0002-9278-9410, Yogyakarta State University), Agus Murdiyastomo (Yogyakarta State University)
Year2026
Volume9
Issue2
Pages361
Publication date2026-01-05
Open AccessYes
TypeARTICLE
VenueJUSPI (Jurnal Sejarah Peradaban Islam (JOURNAL)
Journal identifiersISSN: 2580-8311 • E-ISSN: 2580-8311
PublisherUIN Sumatera Utara Medan (PUBLISHER)
DOI10.30829/juspi.v9i2.25703
OpenAlexW7135176327
LanguageEN

Until now, several traditional Javanese arts such as ketoprak, horse braids, and wayang orang can be found in North Sumatra. This research aims to find out why and how Javanese traditional art can develop in this region. The method used in this research is a historical method which includes 4 research stages, namely heuristics, criticism, interpretation and historiography. The research results show that traditional Javanese art has been present in North Sumatra since the colonial era because of Javanese migrants who were employed on foreign plantations. They brought with them Javanese cultural heritage in the form of performing arts, such as gamelan, ketoprak, wayang orang, and dances. This traditional art was deliberately given a place by plantation entrepreneurs to make their workers feel at home. In its development, this traditional art not only functions as a form of entertainment and expression of cultural identity, but also as a tool to maintain collective spirit and solidarity amidst harsh and often unfair working conditions

Colonialism · Cultural heritage · Entertainment · Solidarity · The arts · Cultural and Artistic Studies · Cultural and Religious Practices in Indonesia · Cultural and Social Studies

Highly citedNo

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