Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Problems of Live Music Concerts

A Study of North East India

Bibliographic Data

ID22197111
AuthorsSamidha Vedabala (Sikkim University), Dibya Jyoti Baraily (Sikkim University)
Year2023
Volume4
Issue2
Publication date2023-08-24
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueShodhKosh: Journal of Visual and Performing Arts (JOURNAL)
Journal identifiersISSN: 2582-7472 • E-ISSN: 2582-7472
PublisherGranthaalayah Publications and Printers (PUBLISHER • IN)
DOI10.29121/shodhkosh.v4.i2.2023.504
OpenAlexW4386138828
LanguageEN
References cited9

The findings reveal several key challenges encountered in organizing and executing live music concerts in North-East India. Limited sponsorship opportunities’ and ‘disappointing government funding’ emerge as significant hurdles for concert organizers. The study also uncovers a preference for artists from mainland India over local talent, attributed to their consistent preparation and higher performance standards. Moreover, the study highlights the lack of equipped auditoriums and the need to import amplification equipment, leading to increased costs for organizers. This study employs a qualitative approach to explore the problems faced by live music concerts in North East India. The research had qualitative interviews with concert organizers, performers, and attendees. The research further underscores the impact of weather conditions on outdoor concerts, as the region experiences frequent rain. It emphasizes the importance of having contingency plans and backup venues to ensure uninterrupted performances. Additionally, the study reveals the limited culture of purchasing concert tickets among the local population, requiring tailored ticket distribution strategies. These findings shed light on the complexities of organizing successful live music concerts in North East India and provide insights for concert organizers, policymakers, and local artists. The research calls for enhanced support, improved infrastructure, and a stronger platform for local talent to thrive in the vibrant music scene of the region

Business · Geography · Political science · Population · Public relations · Purchasing · Qualitative research · Social science · Sociology · Cinema and Media Studies · South Asian Cinema and Culture · Sport and Mega-Event Impacts · Marketing

  • Live and prerecorded popular music consumption

    Open Access•Juan D Montoro-Pons, Manuel Cuadrado-García•Journal of Cultural Economics•2011

  • Monkey on the Roof

    Andrew Dubber•Creative Industries Journal•2011

  • The audience as artist? The audience’s experience of participatory music

    Open Access•Jutta Toelle, J Sloboda•Musicae Scientiae•2021

  • Experimenting with Fandom, Live Music, and the Internet

    Tim Wall, Andrew Dubber•Journal of New Music Research•2010

  • Cultural value and cultural policy

    Open Access•Adam Behr, Matt Brennan et al.•International Journal of Cultural…•2014

  • Popular Music Fans and the Value of Concert Tickets

    Christopher Joseph Westgate•Popular Music & Society•2019

  • The social and cultural values of live music

    Open Access•Arno Van Der Hoeven, Erik Hitters•Cities•2019

  • The economy of live music in the digital age

    Open Access•Fabian Holt•European Journal of Cultural…•2010

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae