Can Female Speak? Anna Laetitia Barbauld, a Legacy for Women Poets
Bibliographic Data
| ID | 22218429 |
|---|---|
| Authors | Fariba Farhangi (0000-0002-3457-1499, Khazar University, corresponding author) |
| Year | 2021 |
| Volume | 4 |
| Issue | 11 |
| Pages | 11-17 |
| Publication date | 2021-11-29 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Linguistics Literature & Translation (JOURNAL) |
| Journal identifiers | ISSN: 2617-0299 • E-ISSN: 2708-0099 |
| Publisher | Al-Kindi Center for Research and Development (PUBLISHER) |
| DOI | 10.32996/ijllt.2021.4.11.2 |
| OpenAlex | W4200333010 |
| Language | EN |
| References cited | 4 |
In Romanticism the poet was considered as a prophet, an unknown illustrative speaking for the whole of humanity; however, woman poets were marginalized. The existent study accompaniments implication as the consequences can shade sunnier on why women poets as vigorous and operative supporters of Romanticism period futile to overcome their defensible place among the main poets of the time in spitefulness of their positive community planetary. Females wanted to be documented and acknowledged as human beings in general and poets indefinite. By providing a thorough investigation of Anna Laetitia Barbauld, this study has explored how she possesses her faultless feminine image while she trails a profession outside of the domestic domain. Anna Laetitia Barbauld transfers the absorbing visionary image of a new woman and competes with the male-oriented concept that women could not and should not engage in poetry writing
Aesthetics · Art · Humanity · Literature · Poetry · Psychoanalysis · Romanticism · Sociology · Theology · History · Philosophy · Poetry Analysis and Criticism · Psychology
| Highly cited | No |
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