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A Multimodal Discourse Analysis of “Lathi” Song

Bibliographic Data

ID22219052
AuthorsSINDA SINDA (Gunadarma University), Ahmad Jum’a Khatib Nur Ali (0000-0002-9520-7500, Gunadarma University)
Year2022
Volume5
Issue1
Pages66-72
Publication date2022-01-16
Open AccessYes
TypeARTICLE
VenueInternational Journal of Linguistics Literature & Translation (JOURNAL)
Journal identifiersISSN: 2617-0299 • E-ISSN: 2708-0099
PublisherAl-Kindi Center for Research and Development (PUBLISHER)
DOI10.32996/ijllt.2022.5.1.9
OpenAlexW4205251199
LanguageEN
References cited3

Music has a personal interest in its individual. It can deliver happiness for those who listen to it. On the other hand, the music should correlate with its pictures through the video clip, such as color, sound, gesture, etc. This article attempts to investigate and explore the interpersonal meaning of the LATHI Song. This study was conducted qualitatively using a descriptive-analytical study to check how different semiotic and modes such as music, sound, speech, color, action, and facial expression work together to build the interpersonal meaning. LATHI song is successful in attracting audiences' attention around the world. The song's lyrics are mainly in English, except for the bridge sung in Javanese. Not only that, but the bridge also employs pelog, a Javanese seven-note scale used in gamelan arrangements. In addition, its instruments played has a unique characteristic and easy listening

Active listening · Aesthetics · Art · Gesture · Happiness · Interpersonal communication · Linguistics · Literature · Lyrics · Communication · Computer Science · Cultural and Artistic Studies · Cultural Identity and Representation · Media, Gender, and Advertising · Psychology · Social Psychology

  • Discourse and social change

    Norman Fairclough•Discourse and social change•1993

  • Critical discourse analysis

    Open Access•Huang Hoon Chng, Huang Hoon Chng Huang Hoon Chng•Journal of Pragmatics•1996

Highly citedNo

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