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The birth of motion capture

Transcribing the phenomena of bodily movement through the “graphic method”

Bibliographic Data

ID22223164
AuthorsMark Paterson (0000-0003-2701-4827, University of Pittsburgh, corresponding author)
Year2021
Volume1
Issue2
Pages195-215
Publication date2021-06-01
Open AccessYes
TypeARTICLE
VenueMultimodality & Society (JOURNAL)
Journal identifiersISSN: 2634-9795 • E-ISSN: 2634-9809
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/26349795211040323
OpenAlexW3195453765
LanguageEN
Citations received3
References cited20

How is the movement of bodies recorded, traced, captured? How is the perception of movement decomposed, analyzed, and then reconstructed through signs, lines, and diagrams? This article traces how, with the help of engineers and collaborators, Etienne-Jules Marey’s self-styled “graphic method” innovated upon existing instruments and photographic apparatuses in order to capture not just the movement of horses’ legs but something of the biomechanical essence of animal movement through the technique of “chronophotographie.” Although inspired by Edward Muybridge’s photographs of horses in motion, for Marey the photographs were not the end result. What he achieved were new ways of transcribing the phenomena of bodily motion. Unlike previous physiologists who thrived on vivisection in the laboratory, Marey took ever greater pains to examine the principles of animal movement in the wild, and built an open-air “station physiologique” in a Parisian park for this purpose. One legacy of Marey’s chronophotographic technique was in the documentation and dissection of human movement, and became acknowledged precursors of the wave of Taylorism which would sweep industrial research in the early 20th century. But another legacy is the capacity to transcribe the phenomena of movement into other forms, externalizing perception across other media

Aesthetics · Art · Cognitive science · Documentation · Perception · Visual arts · Communication · Computer Science · Historical and Scientific Studies · History · Neurology and Historical Studies · Neuroscience · Philosophical and Theoretical Analysis · Psychology · Artificial Intelligence

  • The Data-Driven Art of Moving Bodies

    Open Access•Mark Paterson•Theory Culture & Society•2026

  • Epilogue

    Open Access•Carey Jewitt•Text and Talk•2024

  • Stressing the ‘body electric’

    Open Access•Jessica Pykett, Mark Paterson•History of the Human Sciences•2022

  • The Emergence of Cinematic Time

    Open Access•Mary Ann Doane•Emergence of Cinematic Time•2002

  • Marey, Muybridge, and Londe

    Marta Braun, Elizabeth Whitcombe•History of Photography•1999

  • Uses of video in social research

    Frederick Erickson•International Journal of Social…•2011

  • Multimodal transcription as academic practice

    Jacob Bezemer, Jeff Bezemer et al.•International Journal of Social…•2011

  • Graphical method and discipline

    Open Access•Soraya De Chadarevian•Studies in History and Philosophy…•1993

  • The pulse of modernism

    Open Access•Robert Michael Brain•Studies in History and Philosophy…•2008

  • Archaeologies of Touch

    David Parisi, David Harlan Parisi•Archaeologies of Touch•2018

  • Seeing, feeling, and showing 'bodies-in-place

    Mark Paterson, Michael R Gla•Social & Cultural Geography•2020

  • The Image of Objectivity

    Lorraine Daston, Peter Galison•Representations•1992

  • The Physiological Circus

    Andreas Mayer•Representations•2010

  • Engines for Experiment

    Sven Dierig•Osiris•2003

  • Hearing Gloves and Seeing Tongues? Disability, Sensory Substitution and the Origins of the Neuroplastic Subject

    Open Access•Mark Paterson•Body & Society•2022

  • A Simplest Systematics for the Organization of Turn-Taking for Conversation

    Open Access•Harvey Sacks, Emanuel A Schegloff et al.•Language•2025

Citations per year0.75
Citation span2022 - 2026 (5)
Highly citedNo

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