The Annunciation in Early Christian Art
Bibliographic Data
| ID | 22247217 |
|---|---|
| Authors | Maria Lidova (0000-0002-4767-6644, corresponding author), Maria A Lidova |
| Year | 2021 |
| Issue | 6 |
| Pages | 28-41 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series (JOURNAL) |
| Journal identifiers | ISSN: 2686-7249 |
| Publisher | Russian State University for the Humanities (PUBLISHER • RU) |
| DOI | 10.28995/2686-7249-2021-6-28-41 |
| OpenAlex | W3204833404 |
| Language | EN |
The paper is dedicated to the earliest formative stages of Annunciation imagery. Although it was widely spread in the Middle Ages, only a few examples of the scene survive from the early Christian period. Judging by the existing material evidence, it can be argued that the image of the Annunciation acquired recognizable and fully-fledged form only in the fifth century. Early examples reveal distinct formative stages of the iconography and the gradual introduction of additional features, enriching the content and visual rendering of this highly significant visual theme. This paper analyzes the influence of Apocrypha, as well as of the early theological tradition, on the development of the Annunciation scene and reveals the importance of this material to the study of the cult of the Mother of God
Aesthetics · Ancient history · Apocrypha · Art · Cult · Early Christianity · Formative assessment · Iconography · Literature · Sociology · Visual arts · Classics · Computer Science · Historical and Religious Studies of Rome · History · Medieval Literature and History · Renaissance Literature and Culture · Artificial Intelligence
| Highly cited | No |
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