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Visual Grammar and Meaning

A Multi-Modal Discourse Analysis of Selected Jubilee Life Insurance Company Advertisements

Bibliographic Data

ID22255758
AuthorsAsma Iqbal (0000-0001-7707-2887, Mirpur University of Science and Technology, corresponding author)
Year2022
Volume6
Issue4
Publication date2022-12-31
Open AccessYes
TypeARTICLE
VenuePAKISTAN LANGUAGES AND HUMANITIES REVIEW (JOURNAL)
Journal identifiersISSN: 2708-6453 • E-ISSN: 2708-6461
PublisherPakistan Social Sciences Research Institute (PSSRI) (PUBLISHER)
DOI10.47205/plhr.2022(6-iv)55
OpenAlexW4319265062
LanguageEN
References cited4

With the development of technology and advancement of media, the advertisements are no more mono-modal discourses. Instead, advertisements utilize multiple modes to catch the eyes of the viewers and to win the hearts of desired customers. Today traditional literacy alone fails to interpret modern day multimodal texts like advertisements. This paper based on Kress and Van Leeuwen’s (1996) theory of Visual Grammar, analyzes two non-product advertisements of Jubilee Life Insurance Company, Pakistan, to find out how visual communication is carried out through a relation between these semiotic modes. The analysis has shown that semiotic modes are used by the ad makers to represent participants and also to maintain a relation between the represented participants and the viewers. The study also highlights how the ideology of the involved participants works to communicate the desired meanings to the target audience through these the interrelated systems of semiotic modes within a business discourse

Advertising · Business · Discourse analysis · Grammar · Ideology · Linguistics · Political science · Semiotics · Sociology · Computer Science · Discourse Analysis in Language Studies · Language, Metaphor, and Cognition · Law · Mathematics · Philosophy · Psychology · Translation Studies and Practices

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    T Van Leeuwen•Social Semiotics•2004

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    Open Access•Charles Forceville, Charles J Forceville•Journal of Pragmatics•2010

Highly citedNo

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