Dialogic Evidence
Documentation of Ephemeral Events
Bibliographic Data
| ID | 22319249 |
|---|---|
| Authors | Paul Stapleton (0000-0003-0733-7944, corresponding author) |
| Year | 2008 |
| Volume | 7 |
| Issue | 2 |
| Publication date | 2008-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Body, Space & Technology (JOURNAL) |
| Journal identifiers | ISSN: 1470-9120 • E-ISSN: 1470-9120 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/bst.142 |
| OpenAlex | W2603431199 |
| Language | EN |
| References cited | 2 |
Performance and documentation have long been characterised as oppositional practices, separated by competing voices which argue the virtues of disappearance and reproducibility. In response to this state of affairs, the recently completed Dialogic Evidence project was designed to explore the possibility (and the limits) of a productive co-existence between performance and documentation practices. In this paper I reflect on this project’s processes and outcomes, particular highlighting the potential of social web technologies as a collaborative means to archive, discuss and remember live performance
Dialogic · Documentation · Ephemeral key · Pedagogy · Sociology · Computer Science · History · Psychology · Theater, Performance, and Music History · Theatre and Performance Studies
| Highly cited | No |
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