An Epistemological Perspective on the Relationship Between Music and Metaphysics

Bibliographic Data

ID22360985
AuthorsFulya SOYLU BAĞÇECİ (0000-0001-9915-9078, Niğde Ömer Halisdemir Üniversitesi, corresponding author)
Year2024
Volume7
Issue3
Pages338-368
Publication date2024-09-23
Open AccessNo
TypeARTICLE
VenueYegah Müzikoloji Dergisi (JOURNAL)
Journal identifiersISSN: 2792-0178 • E-ISSN: 2792-0178
PublisherYegah Musiki Dergisi (PUBLISHER)
DOI10.51576/ymd.1495334
OpenAlexW4401658271
LanguageEN
Citations received2
References cited5

Thinking together about all the elements of music based on concrete indicators and the qualities of this field that point beyond what is known, brings to the agenda an accumulation of knowledge on the axis of art, philosophy and music. The idea of art, which is the subject of music, or the key issues that transform music into art, point to the deep meanings of music in connection with metaphysics. The approaches adopted in the history of thought, scientific advances and social turning points have shaped the quality of music and the meanings attributed to music. In this descriptive study, which aims to make an epistemological examination of the relationship between music and metaphysics through this accumulation, metaphysical issues that enable us to characterize music as art are revealed. Thus, regardless of the context, it is possible to see a metaphysical perspective that progresses intertwined with music in many circumstances, with various semantic contents, forming itself both as a natural result of music and on an axis that inspires music

Aesthetics · Art · Epistemology · Literature · Metaphysics · Music and emotion · Music education · Music history · Music psychology · Musicology · Pedagogy · Philosophy of music · Popular music · Sociology · Visual arts · Computer Science · History · Multisensory perception and integration · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy

Tools

Open DOIOpen Access