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Porousness, theater, possession, being consumed, death, sanctity

Narratives from the field with a radical street performer

Bibliographic Data

ID2285362
AuthorsLaura Balán (0000-0001-7671-4702, Universidad de los Andes, corresponding author)
Year2024
Volume29
Issue2
Pages135-146
Publication date2024-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Latin American and Caribbean Anthropology (JOURNAL)
Journal identifiersISSN: 1935-4932 • E-ISSN: 1935-4940
PublisherWiley (PUBLISHER • GB)
DOI10.1111/jlca.12721
OpenAlexW4393337592
LanguageEN
References cited25

The paper reflects on the experiences of the porous body of a radical street performer from Medellin, Colombia. His narratives emphasize the reciprocal relationship between the knower and the known: as Ingold suggests, "to know things you have to grow into them and let them grow in you so that they become part of who you are." Furthermore, his narratives help to unravel the underlying threads of his actions, and the construction of his porous subjectivity. The article contributes to our understanding of mimesis in anthropological discourse, the relational and embodied nature of human existence, and the role of possession in cultural resistance and social transformation. Following Bernardo's pedagogy, the writing interweaves poetry, narrative, and theoretical concepts in seeking not to close meaning, but to open spaces to be inhabited

Aesthetics · Art · Art history · Field (mathematics · Linguistics · Literature · Media studies · Narrative · Performing arts · Possession (linguistics · Sociology · Visual arts · Diversity and Impact of Dance · History · Music History and Culture · Philosophy · Theatre and Performance Studies

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Citation velocityhistorical
Highly citedNo

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