Aeschylus’ Persians via the Ottoman Empire to Saddam Hussein

Bibliographic Data

ID23143753
AuthorsEdith Hall (0000-0002-8438-6814, corresponding author)
Year2007
Pages167-200
Publication date2007-02-15
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueCultural responses to the Persian wars (SOURCE_BOOK)
PublisherOxford University PressOxford (PUBLISHER)
DOI10.1093/acprof:oso/9780199279678.003.0009
OpenAlexW2476570028
ISBN9780199279678
LanguageEN
Citations received10
References cited11

Through a diachronic study of the uses to which Aeschylus' Persians has been put, this chapter argues that one of the most important factors underlying the longevity of the Persian Wars traditions has been the identification of the ancient Greeks' struggle against Achaemenid Persia with the Christian West's adversarial relationship with Islam. Although the image of the Ottoman Turk — with his turban, moustache, and curving sabre — certainly affected the iconography of other battles such as Marathon, the identification has been made most prominent culturally since the 16th century by authors revisiting the battle of Salamis. The facile identification of the entire Islamic world with the caricatured ancient Persians staged by Aeschylus has also been a factor informing the West's crude stereotype of the eastern tyrant, Muslim despot, and the polemical terminology of Freedom and Democracy that has often played an unhelpful role by fomenting aggression on both local and global scales.

Ancient history · Archaeology · Art · Art history · Battle · Greeks · Iconography · Identification (biology) · Islam · Ottoman empire · Persian · Political science · Politics · Terminology · Byzantine Studies and History · Eurasian Exchange Networks · History · Islamic Studies and History · Law · Philosophy

Tools

Open DOILibgen