Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries
Bibliographic Data
| ID | 23162012 |
|---|---|
| Authors | F Godart (0000-0001-7530-8577, corresponding author), Frederic C Godart |
| Year | 2018 |
| Pages | 103-128 |
| Publication date | 2018-04-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Frontiers of Creative Industries (SOURCE_BOOK) |
| Publisher | Emerald Publishing Limited (PUBLISHER • GB) |
| DOI | 10.1108/s0733-558x20180000055005 |
| OpenAlex | W2791222155 |
| ISBN | 9781787437746 |
| Language | EN |
| Citations received | 9 |
| References cited | 70 |
Because we lack a usable definition of the concept of style to inform research on the creative industries, this chapter takes a first step toward developing a style-based perspective on them. The use of style in disciplines where the study of creative industries occupies a notable position (sociology, anthropology, cultural studies, and management) is compared and contrasted with a series of related concepts (status, fashion, trend, genre, movement, and category). Style is defined as a durable, recognizable pattern of aesthetic choices. Propositions that relate style to an organization’s creative performance are formulated for two types of audience: insiders and outsiders.
Aesthetics · Art · Creative industries · Creativity · Multimedia · Perspective (graphical) · Sociology · Style (visual arts) · USable · Visual arts · Computer Science · Creativity in Education and Neuroscience · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Psychology · Social Psychology
Culture, structure, and the market interface
Networks on the walls
A canon of one's own
Evaluating user experience, emotional attitudes, and repurchase intentions in virtual reality
Relations in Aesthetic Space
Innovation and creativity in creative industries
In the style of
What's Next? Artists' Music after Grammy Awards
Trend accommodation in heteronomous fields
Register, Genre, and Style
Fashion, Culture, and Identity
From Creativity to Innovation
Challenges for Institutional Theory
Managerial Fads and Fashions
Social Yet Creative
A Core/Periphery Perspective on Individual Creative Performance
Creative Industries
Creative Industries
How Paris Gave Rise to Cubism (and Picasso)
Making the Most of the Revolving Door
Empires, Federated Arrangements, and Kingdoms
When choice is demotivating
Network-Domains in Combat and Fashion Organizations
The Theory Of The Leisure Class
Essai d'une philosophie du style
Style—Fashion—Dress
So Last Season
The Drama of the Impostor
Cultural Studies and the Sociology of Culture
Trend Networks
Identity affirmation through `signature style
Diffusion Models and Fashion
Networks and Meaning
Culture in Action
Style as Social Process
Switchings under uncertainty
Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields
Notable" or "Not Able
Classification as Culture
The art of improvisation and the aesthetics of imperfection
How Do Cultural Producers Make Creative Decisions? Lessons from the Catwalk
Analysis of Style in Artifacts
Sandpiles of Opportunity
The Problem of Style
Mobilizing Identities
More Than Just a Fashion Magazine
Archaeological Research on Style
Sociology of Fashion
Construction, Concentration, and (Dis)Continuities in Social Valuations
Lifestyle or Lebensführung? Critical Remarks on the Mistranslation of Weber's 'Class, Status, Party
Order at the Edge of Chaos
Ubiquity and Legitimacy
Betrayal as Market Barrier
Collaboration and Creativity
Robust Identities or Nonentities? Typecasting in the Feature-Film Labor Market
A Status-Based Model of Market Competition
Status and Status Strain in the Professions
Processing Fads and Fashions
Approaches to style in lithic archaeology
| Unique citing works | 9 |
|---|---|
| Citations per year | 1,13 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |