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Women Writers in the Land of “Virile” Literature

Bibliographic Data

ID23211166
AuthorsNuala Finnegan (0000-0001-6974-716X, corresponding author)
Year2016
Pages338-349
Publication date2016-01-31
Open AccessYes
TypeCHAPTER
VenueHistory of Mexican Literature (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/cbo9781316163207.023
OpenAlexW2499294682
ISBN9781316163207
LanguageEN
Citations received1
References cited3

Rosario Castellanos closes her poem “Meditación en el umbral” with the oft-quoted line “otro modo de ser humano y libre / otro modo de ser” (another way of being human and free / another way to be) (1971: 316). Here she expresses a yearning for women to imagine another way of being beyond the time-worn scripts of exceptionality suggested by the female archetypes listed in her poem, including Sappho as well as Mary of Egypt. This yearning has been interpreted during many decades of the twentieth century as a kind of plaintive requiem for the absence of female voices on the national stage. It also resonates as critique – trenchant and incisive throughout Castellanos's work as a whole – of the deeply embedded patriarchal structures of Mexican society that relegated women for so long to paralyzing domestic roles. Her groundbreaking story “Lección de cocina” explores this dimension of female domesticity utilizing the German expression kinder, küche, kirche (children, kitchen, church) (Castellanos, 1971: 7) as a succinct summary of those gendered lived experiences. It is a truism to state that throughout most of Mexican literary history, the voices of women were at worst completely absent, and at best underrepresented or treated in a tokenistic fashion. Indeed, it has been commonplace in histories of literature in Mexico to acknowledge the importance of Sor Juana Inés de la Cruz, the “heroic foremother of feminist writing in Latin America” (Merrim, 2003: 39), and her philosophical contribution to the national literary tradition, while then skipping forward to those writers who have emerged strongly to transform the cultural sphere in the twentieth century. It goes without saying that there were women who wrote in the intervening centuries between Sor Juana, whose most influential text was published in 1691, and the twentieth century – when women's voices begin to be heard for the first time, claiming their place in the world of letters that had previously excluded them.

Art · Literature · Poetry · Sociology · Early Modern Women Writers · Gender Studies · History · Latin American and Latino Studies

  • Nuevas aproximaciones a las escritoras de la Generación de Medio Siglo

    Open Access•Giannina Reyes Giardiello, Oscar A Pérez et al.•Humanística Revista de estudios…•2021

Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae