The work of play

Marx and the video games industry in the United Kingdom

Bibliographic Data

ID23213289
AuthorsJamie Woodcock (0000-0001-7097-305X, Cass Business School, corresponding author)
Year2016
Volume8
Issue2
Pages131-143
Publication date2016-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Gaming & Virtual Worlds (JOURNAL)
Journal identifiersISSN: 1757-191X • E-ISSN: 1757-1928
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/jgvw.8.2.131_1
OpenAlexW2509992149
LanguageEN
Citations received8
References cited2

The video games industry in the United Kingdom is profitable and growing at a time when the broader economy is still failing to recover. This has attracted the interests of politicians, committing large investments and tax breaks. Although the headline figures are impressive, the overall structure of the industry is less clear. Within this there are many new organizations, often shaped by start-up culture. Less is known about how work is being organized or the experiences of workers. The approach taken here draws on Marxist theory and an examination of the labour process. It focuses on how capitalism effects the production of video games, including the use of crunch time, the prevalence of sexism, and the widespread use of non-disclosure agreements. The conclusion suggests further enquiries are needed to understand how the struggle between labour and capital is shaping this industry.

Advertising · Business · Capital (architecture) · Capitalism · Crunch · Economics · Economy · Headline · Marxist philosophy · Political science · Production (economics) · Work (physics) · Cultural Industries and Urban Development · Digital Games and Media · Engineering · Fashion and Cultural Textiles · History · Law

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