I Always Remember That Moment
Peak Music Experiences as Epiphanies
Bibliographic Data
| ID | 2322641 |
|---|---|
| Authors | Ben Green (0000-0002-3382-8707, Griffith University, corresponding author) |
| Year | 2016 |
| Volume | 50 |
| Issue | 2 |
| Pages | 333-348 |
| Publication date | 2016-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sociology (JOURNAL) |
| Journal identifiers | ISSN: 0038-0385 • E-ISSN: 1469-8684 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0038038514565835 |
| OpenAlex | W2317290995 |
| Language | EN |
| Citations received | 22 |
| References cited | 30 |
The sociological study of music consumption has tended to focus on general and typical experience instead of discrete or extraordinary experiences, consistently with a wider lack of biographical analysis. However, a popular topic among music fans is the phenomenon of peak music experiences: specific experiences involving music that are especially memorable, influential and even pivotal for the individuals involved. Drawing on the results of a pilot study conducted in Brisbane, Australia, this article shows that participants in the city's indie music scene cite peak music experiences as central to their biographical narratives of inspiration, influence, conversion and motivation. These experiences make visible the more subtle processes by which musical meaning, taste and identity are constantly made and remade, as well as showing how encounters with music can affect subjectivities in an enduring way. The listeners are conscious of these processes, reflect on them and even try to create them
Affect · Consumption · Indie film · Phenomenon · Cultural Industries and Urban Development · Music History and Culture · Social and Cultural Dynamics
Music, Memory, Space and Place
“I Make My Own Time”
Aging, Nostalgia and Older Punk Women’s Fandom
‘I wouldn’t be the person I am today without Camp Cope’
Exploring the Socio-Musical Legacy of Moheener Ghoraguli, the Progressive Rock Pioneers of Bengal
The impact of a focused listening experience on self-compassion and mental health help-seeking
Listen Up
Épiphanies. Sociologie pragmatique et différence anthropozoologique
Materialising music worlds
Mètodes naturalistes de la sociologia de la creativitat
Naturalist Methods in the Sociology of Creation
Sensorial Design as a Mediating Practice in Leisure Events
Online prosumer convergence
Popular Music Heritage, Grass-Roots Activism and Web 2.0
Music streaming, cultural consumption and the everyday routines of algorithm management
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes
Working live. A sociological account of the entangled relations of liveness through festival work
Having the sceptre
Whose riot? Collective memory of an iconic event in a local music scene
Skateboarding and the 'Tired Generation
Plasticine Music - or the intimate social life of cultural objects
Extended music listening systems in cars
Music and society
Toward a psychology of being.
Tramps Like Us
Interpretive Biography
Music in Everyday Life
Modernity and self-identity
Musicking
Behind the Rave
Why music matters
Modernity and Self-Identity
The cultural turn
Black Culture, White Youth
Telling Sexual Stories
Feminists Theorize the Political
Systems of articulation, logics of change
Insider Research’ in the Study of Youth Cultures
Embodying hardcore
You've got to go to gigs to get gigs’
Loving music
Record and Hold
Consolidating the music scenes perspective
Historical perspectives in music sociology
Music, Style, and Aging
Those Things That Hold Us Together
Domestic Objects and the Taste Epiphany
Collective Feelings
Subcultures or Neo-tribes? Rethinking the Relationship Between Youth, Style and Musical Taste
| Unique citing works | 22 |
|---|---|
| Citations per year | 2,2 |
| Citation span | 2016 - 2026 (11) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 22 |